Posts Tagged ‘teen’

Guncrazy

Guncrazy

Thursday, October 18th, 2007

I am not having a good movie week, lol. But at least this one makes me feel better for any upset caused by my Pirates 3 review. Because this is a Drew Barrymore movie, which is usually worth about 2 stars by default before I even push play. But wow – this one is embarrassingly, cringingly bad, and it only gets worse as it runs. The set-up begins with penpals …

Yes, yes. Guns bad. But if you’re a sexy young movie star, you look mighty sexier holding one. I love how many of these old “just say no” type movies actually end up making the bad no-no thing look unbelievably, irresistibly, cool, lol. Drew Barrymore is always great to look at, but this is one of those movies from the time where you find yourself watching her very basic, any teen will do, style of acting, and thinking: how the hell did she ever get as good as she is now? lol. It doesn’t help that it’s yet another one of her “Amy Fisher” type roles – like, again … how did she ever escape that typecasting, it seemed like an indelible curse.

Personally, I’d rather watch any given other Drew movie – literally, I think any of them – the old movie of the same title from the 50s (no relation in story – they put a space in between the words too, presumably because it was the 50s and they were cool enough without spelling aids – I think it was called “Deadly is the Female” in some places), and that episode from “Blossom” that dealt with guns and teens (if I remember correctly, lol: I could’ve dreamt it, I don’t know, but it was very good I think).

Is there anything I liked except for the aesthetics of Drew? Well I loved the credit at the beginning, “And Michael Ironside as Mr. Kincaid” LOL … sorry, I have no idea why that makes me laugh so much, it just seems so much like the early-90s in a nutshell somehow to me or something. Billy Drago’s quite fantastically scary as the fire and brimstone preacher who makes the genius decision of marrying Drew, his ward, to an ex-con, even 2 minutes after berating them for laying together half-naked outside surrounded by guns.

But the moment this dangerous couple’s reign of terror begins, it becomes one of the most unintentionally funny movies I have ever seen – from the double accidental shooting that starts the whole thing, to a cop-killing, to the crashing into the mailbox to avoid the essential doggy, to their abysmal bar robbery (“That’s my whole paycheck! If you take that, I won’t be able to eat, pay rent …” “I can’t take the money, Howard!” “Well don’t use my name!” ROFL), and the OH-so-subtle foreshadowing of the line, “Cross my heart and hope to die!” … I don’t think I’ve ever shaken my head in disbelief so much at a movie, lol.

But Ironside is good – in fact, really good in a role quite far removed ultimately from his usual hardness – Drago is good, Barrymore is cute enough, and there’s at least one really nice shot, a POV of a victim being buried, through which we witness one of the couple’s romantic interludes. But none of this brings it even close even to the usual default Drewsome twosome of stars. And I’m not just being nice to the Pirates. This one really sucks too. It’s frankly amazing things like True Romance and Natural Born Killers ever got made with stuff like this leading the way, lol. This movie actually made me want to shoot something.



Fucking Åmål (aka Show Me Love)

Fucking Åmål (aka Show Me Love)

Wednesday, August 17th, 2005

I guess I’m watching this now to try and get the foul taste of Moodysson’s latest Hole in My Heart out of my mind. This one has a happy ending, I recall, it will therefore make me happy. Weird thing is, coming back to it after Hole and the similarly shattering Lilya 4-Ever, in addition to the very disturbing short movie, “Talk,” included as an extra on this new Region 2 DVD (annoyingly only available in the Lukas Moodysson box set), I couldn’t help focusing in on the more negative aspects of this movie now. Gee, thanks, Lukas.

It’s still a lot more fun to watch, though. For better or worse, it probably paints the most realistic portrait of teenagers ever seen in the movies: at once beautiful, pathetic, and inconsequential. The soundtrack is excellent and the two leads are perfect for each other.



Confessions of a Teenage Drama Queen

Confessions of a Teenage Drama Queen

Thursday, March 4th, 2004

“Well, except for the garbage and the cars, it’s like following Heathcliff out on the moors!”

This movie makes a good companion to Thirteen. Two teenage friends rebel a bit, fall out a bit, and generally act their age.. But where Thirteen was gritty, real, and shocking, played mostly like a documentary saying “this is our youth…”, Confessions is that time of life seen as a young person sees it, basically a rollercoaster of fun and perceived tragedy, none of which really matters in the end.

Lindsay Lohan has surprisingly little to do in the lead, playing as she does an aspiring young actress/ mini version of Edina Monsoon from Absolutely Fabulous. It’s Alison Pill, who played April’s sister in Pieces of April, who gets to do the real acting around here, and she really does steal the movie from Lohan. Carol Kane is wonderful as the teacher, especially if you’ve really known teachers like this – sweet, nervous, but capable of completely cracking under the strain and being scary enough to give you nightmares. She has the most fantastic line in the movie, when, in the final scene as her school production, a rock version of “Pygmalion” set in modern day NYC, “Eliza Rocks!” opens, she stands at the piano and says to the children assembled as the “band” and says, “Press your bars, children…” as we realise all the children are sat not in front of tubas, flutes and violins as is usual in school play scenes, but in front of laptops… brill moment.

The fantasy aspects of the movie didn’t quite work for me – the movie opens with Lohan’s character day dreaming about being left alone in NYC, she gets dropped off in front of a hotel and does a Gene Kelly-ish run up a tree before the camera pulls back to show a doll-house set. There’s a lot of stuff like this, flashbacks and exaggerated stories with fireworks writing words in the sky and cardboard flowers appearing in the windows in the background. It’s a really great idea, but I don’t know if something was either missing or just, there was too much… it’s all extremely over-the-top, which I guess is in keeping with the title, but these sequences never worked as well as, say, the dreamy sequences in Ma Vie en Rose.

Lindsay Lohan sings a fair bit in the movie which I really loved after hearing her voice in Freaky Friday. It’d be great to see her do a fully-fledged serious movie musical, I still think she’s capable of anything a script can throw at her, one of the best young actresses around, which makes it even more amazing that Alison Pill stands out so much in this movie.