Tag Archives: suicide

Mixed Nuts Mixed Nuts 4 star

January 8th, 2013 by surlaroute

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“Let’s hang some tinsel.” “Dad, I hate it when you call me that.”

How to even verbalise this joyous mess of a movie? I think it’s been on my long mental list of things to watch for years but it was only this year that a few people on Twitter mentioned that it was a Christmas movie and I finally decided to look for it. It seemed particularly fitting as its director Nora Ephron died this past year and it’s one of only a few of her movies I haven’t yet seen.

The premise is dark – a Christmas comedy about an independently run suicide hotline in L.A. The dark comedy runs as far as a man calling in with a gun in his hand and then (off screen) shooting himself as the “helper” on the other end of the line tells him to “Click it! Go on! Click it!” referring to the phone to remove the static on the line (it’s funnier than it sounds – or maybe I was just dying to laugh…). But it isn’t consistent – it also runs to almost embarrassing (but again, strangely effective… maybe I’m a bit highly strung this time of year) farce (wrapping a corpse in potato sacks and hiding him in a Christmas tree… “They’re burlap which is really itchy unless you’re dead.”). The soundtrack is awash with Christmas tunes which makes it perfect background this time of year, and the cameos list is exhausting.

I get the feeling the movie’s title may have been chosen at the last minute, so perfectly does it describe everything that’s wrong/right about it. The movie seems to just change completely depending one who is on screen. When Steve Martin is on, it feels like any given Steve Martin movie of the 90s (due to the setting, I guess, I couldn’t help thinking of LA Story); when Adam Sandler appears and sings his silly (and hilarious) song to cross dressing Liev Schrieber, it feels like any given Sandler movie; when Rita Wilson is on, it becomes perhaps most like a sweet Nora Ephron comedy; Steven Wright’s scene is entirely his. If it pulled in just one of its many directions, sure, it might be a better movie… but I found it just about perfect as it is for an end-of-Christmas tonic. The whole thing climaxes in a Steve Martin monologue which just about manages to pull together all the disparate threads and tones and certainly joins things like Bill Murray at the end of Scrooged and Phoebe Cate’s Santa story in Gremlins as one of my favourite Christmas scenes ever.

“You’re not upset because you’re broke… You’re not upset because you’re an artist who may never have any place to paint as long as you live… You’re upset because it’s Christmas. Christmas is a time when you look at your life through a magnifying glass, and whatever you don’t have feels overwhelming. Being alone is so much lonelier at Christmas. Everything sad is so much sadder…”

The past few years, it seems – in fact I can think all the way back to 2003 when I got to see Pieces of April at the 11th hour – I tend to find myself increasingly grasping for that feeling during the festive season… you know, it’s all great and everything, but just that moment where you feel like, “yes, now it feels like Christmas, I feel like we’ve done this and tomorrow can be as dull as it likes…” and it often comes right at the very end. A couple of years ago, for example, when I watched One Magic Christmas on Twelfth Night, or last year watching Nativity! This year, Mixed Nuts was certainly that movie for me. I won’t leave it so late in future.

The Skin Game The Skin Game 3 star

October 1st, 2010 by surlaroute

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“What’s gentility worth, if it can’t stand fire?”

Once more I’d been led to believe this was far worse than I personally found it. It’s another play adaptation by Hitchcock about which he himself had very little to say. It pretty much had me very early on with a stunning dissolve between the two extremes of society it paints a picture of the conflict between: a girl on a horseback riding down a tree-lined road, and a rich man driving towards his expensive house in noisy motor car, both in perfect symmetry to further draw the eye:

Juxtaposition in The Skin Game

These two images pretty much say everything the movie wants to say in just a few seconds. The French critic who introduces the film on the DVD I have sounds perfectly baffled as to why Hitch would have chosen to direct this movie but to me it seems perfectly clear. The Farmer’s Wife had shown his love of the English countryside and here we see the threat of its disappearance at the hands of money men (the very last shot, even, following a tragic climax, is that of a single tree being felled). Juno & the Paycock showed his concern for class issues, and that too comes through here. I don’t know, I still wouldn’t call this one of his best works, but I do believe it feels a lot more like a Hitchcock movie somehow than his other “non-Hitchcockian” works of the time.

Odd Girl Out Odd Girl Out 4 star

May 25th, 2010 by surlaroute

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Again, I wanted to watch this for a long time (a very long time, in fact) not only for Alexa Vega’s role, but also a rare post-Annie appearance by Alicia Morton, shortly after which she seems to have quit acting completely. I’d also heard seriously good things about the movie in general, and there aren’t many movies like this which I don’t find at least marginally more interesting than most others.

The problem initially for me was pretty much related to that… there have been so many other good movies on this subject – and this one seemed immediately to fall bang in between two of the best, Mean Girls and Thirteen, the former for its extreme bullying (albeit here with the humour stripped away) and the latter for its rawness, here found in Alexa Vega’s performance. It was interesting to watch this straight after Remember the Daze where she’s older and glossier. The only way I can describe Alexa’s face in this movie is, it’s like a Carpenters song… you know that empty, lonely, drained and sad but still beautiful quality their sound had? Something like that. You utterly believe her loneliness in this movie and that helps a ton in understanding a lot of her decisions.

What I wanted and hoped for from this movie, and it was a big ask, was some kind of answer to the behaviour it presents. Alexa Vega’s character here ultimately finds herself cornered with literally nobody that she can go to for help because all her trust circles collapse for various reasons and the bullying she is subjected to is not easily explained to anyone who isn’t involved. I understand that place well, and I kind of still find myself there sometimes, but like the mother here explains to her daughter at one point, I never really figured out how to deal with it.

Astonishingly, I felt like the movie kind of gave me such closure. Something far more satisfying than I expected, at least. This movie gets so sad and this girl’s situation so impossible that I really feared that it was simply that kind of movie, that merely presents the seeming unconquerable nature of these situations and leaves it hanging there. There’s a really excruciating moment following the girl’s attempt at suicide when she returns to school and once again accepts her “best friend”‘s apology with open arms and part of me was just hoping she was finally leading them on, setting up some kind of revenge. I kind of lost all sympathy for her once I realised nope, she was just that naïve (there are a lot of moments like this, it must be said, when the whole thing is a little too extreme to be believable). But then the truth comes out, and it’s the final straw, and she confronts the one person who hurt her most and says something simple but perfect,

“You have nothing that I want.”

It worked for me, anyway. I don’t know about the state of bullying in schools today, there are a lot of people over on this movie’s IMDb board claiming this kind of thing never happens and certainly not these days: but I believe that it could happen, anywhere; that these situations don’t just occur in school; and that for anybody who finds themselves in such a situation, or anything even close, would find a light at the end of the tunnel in this movie. It’s the best performance I’ve seen yet from Alexa Vega, truly haunting, and the rest of the cast aren’t too bad either (Alicia Morton is particularly frightening, about as far removed from her button-nosed Annie as you could get). Really worth looking for.

Gonzo: The Life and Work of Dr. Hunter S. Thompson Gonzo: The Life and Work of Dr. Hunter S. Thompson 4 star

December 23rd, 2008 by surlaroute

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I’m determined to find my movie-writing brain before the year is out so I can dive into 2009 and make something better of this place than I admit it’s been the past 6 months or so – but again, there just seems to be so little to write about what I’m watching lately. I looked forward to this one, a lot; but I’ve gotta admit, I kinda don’t know exactly why. There’s a cool to Hunter S. Thompson I really can’t claim to fully know as well as I’d like. Even though it’s now 10 years since Terry Gilliam’s Fear and Loathing movie – which I watched at the time predominantly for Christina Ricci’s tiny role, that got me to read Thompson’s book, that in turn made me put his entire output in my mental “to read” list – I’ve still not got around to reading another word by the man.

Luckily, this is a doc that seems set on catering to the “Fear and Loathing only” types like me, and Johnny Depp’s Raoul Duke voice is all over these two hours. It’s not a particularly sweeping doc, picking the most iconic chunks of Thompson’s life, namely the Hell’s Angels, “Fear and Loathing”, politics, and his suicide. It’s an interesting documentary, as well made as they all are now; but aside from the suicide stuff at the end and footage of his glorious funeral concept being made real, I didn’t feel like it told me anything I didn’t already know or that I wouldn’t learn in a richer way by finally getting round to those books of his. Perhaps that’s the film maker’s goal here, to get us to read. Can’t argue with that.

Roman Roman 4 star

November 3rd, 2008 by surlaroute

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I’ve been longing to see this ever since I first heard about it seeing as I loved the previous Lucky McKee / Angela Bettis partnership May (where he directed and she starred; here those roles reversed) but I kind of feared disappointment, particularly in lining it up this Halloween to finally view – first because I love “May” so much that’s its practically impossible to top, and more importantly for the Halloween viewing, because I wasn’t all too sure of how much of a “horror” movie it really was.

Anyway, I needn’t have worried. Bettis seems perfectly at home behind the camera just as McKee delivers a strong performance in front, particularly in the closing reel. I didn’t fall in love with Roman as I did May, perhaps because his ‘malfunction’ doesn’t come over as particularly quirky or understandable. Where May really just seemed misunderstood and misunderstanding of her appreciation of beauty to me, Roman seems to just crack under physical lust and then get caught in a repetitive spiral. Maybe again we’re just talking those gender traits that everyone seems so agreed upon, [[shrugs]], I don’t know. One thing’s for sure, I really didn’t see the ending coming, and the truth in that last line, “I killed her,” really leaves you haunted just like May’s “See me!” They certainly make a terrific double bill. If only they could’ve just met one another, perhaps nobody would’ve had to die, lol.

The Apartment The Apartment 3 star

June 11th, 2008 by surlaroute

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Hmm … I had a feeling this would leave me with little to say and I’m sad to say I was right. While Jack Lemmon and Shirley Maclaine are perfectly fine here and the script gave me a few through the nose sniggers, I couldn’t help but find myself wondering where the classic status comes from. It seems to me the movie is 2 hours of a man finally telling a bunch of bullies to step off, with a little suicide in the last third. I’d seen the champagne scene before, of course, and again, though it’s clever, I never before saw it as heartstoppingly powerful as others seemed to, and I can’t say having seen the whole production that I’m any wiser. I guess it’s one of those that’s simply not for me.

Pretty Persuasion Pretty Persuasion 4 star

March 13th, 2008 by surlaroute

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“There are just so many stupid, annoying, worthless people on the planet. They just like, get in the way of what you want.”

The first thing this movie reminded me of was my most shameless personal fave, Slap Her … She’s French (especially considering that movie’s alternate title “She Gets What She Wants”) … but it’s a lot more subtle, extreme and subversive than that. It’s funny I found myself watching it during the BBC’s “White” week, in a way. The moment Evan Rachel Wood starts her speech about how wonderful it is to be white being as she wants to be an actress, all of this told to a Muslim student, listing Asian as her second choice, then Afro-American, and finally Arab … it certainly makes you gasp if anything more than I remembered “Slap Her” did – and where that race line goes in the end … I still don’t know quite what to think of it except to compare it to the other stereotypes in the movie, like, yes, the male and female ones, and say that it is one of those movies where the stereotypes really never bother me quite as much as they should, basically because the script just oozes smarts and Wood delivers those smarts in a way I really think nobody else could. It seems like she gets better with every film I see her in, and the final shot of her here is just phenomenal. James Woods, Jane Krakowski and Selma Blair are the icing on the cake.

Harold and Maude Harold and Maude 5 star

February 10th, 2008 by surlaroute

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Well, finally, I loved this one so much it went over A Clockwork Orange in my 1971 list and thus shot straight to the top of my favourite movies of all time … kinda knew that’d happen sooner or later. Again, there’s little to say that I haven’t said below or that others haven’t said before, but I noticed a couple of cute things this time around worth mentioning, both of them costume related; the way Harold is dressed exactly the same as the psychiatrist in their first meeting, and the way Maude is dressed almost exactly the same as a little girl walking in the same way as her behind her at one of the early funerals … Maude, though, carrying that bright yellow umbrella that makes her look more like the little girl, lol. It’s just an absolutely beautiful movie I could quote or talk about scenes from for hours. “For me, they will always be glorious birds …” – “Most of life’s sorrow comes from people who are this – but allow themselves to be treated like that …” I probably should’ve saved it for Valentine’s Day … though that’s reserved for Hannibal still this year :) One day I’ll write a much longer review … for now, just consider it an even higher recommendation, if you’ve not seen it yet, than I gave for Beautiful Girls a few weeks ago.

January 5th, 2006:

I’m surprised by how much I said in my first review of this (below). I really can’t think of much to say about it right now, I need to watch it so many more times. I want to know ths movie by heart. Everything about it is perfect. Its offbeat take on life, death, and love is beyond compare. Maude is one of the greatest movie characters ever.

18th October 2004:

Someone recommended this movie to me a while ago and I already knew about it and knew it was a movie I wanted to see, and after that recommendation, I wanted to see it even more. I don’t know why it took me till now to finally see it.

I was barely even in the right frame of mind to watch it, nevertheless it belongs forever in my top 100 movies of all time. It’s only just at 100 after a first viewing but I just know it’s going to rise and rise. These two characters are people I want to hang with forever. Harold and Maude belongs in that group of movies that just tell you to grab life by the balls. It’s almost terrifying in that aspect, Maude is so free-spirited she would make almost anyone on earth feel somewhat lifeless.

And the soundtrack by Cat Stevens … well, it’s awesome, but more than anything makes me want to hear more Cat Stevens. Why is this soundtrack never uttered in the same breath as Simon and Garfunkel’s The Graduate and Aimee Mann’s Magnolia? I see something of Cameron Crowe’s influence coming from this movie too, I wonder if he’s ever mentioned it on a commentary anywhere – I’m going to have to watch Almost Famous again.

Definitely one of the most romantic movies of all time.