I feel like I’m going backwards LOL. The tagline for this movie was “She is 15. He is 17. The love every parent fears.” Like, huh? Luckily this is just another marketing faux-pas, however. While daddy here is dead set against the teenage lovers, mom is creeping down the stairs and watching them make love by the fireside in lieu of any real action for herself upstairs.
This is a movie with too many things wrong with it to mention, but as often as it almost made me cringe (and to be honest, it never tipped me 100% over, except perhaps the father’s profoundly unbelievable demise), I found it turning around and catching me out. As you may have guessed, this is the movie that introduced the Lionel Richie / Diana Ross hit to the world, and the score plays off it amply – to my surprise, it turned out to be the most I’ve got out of the song despite having heard it just as many times as everyone else on the planet. Brooke Shields is of course phenomenal to look at, and she has some impressive bits of acting too. The script is melodrama city but with Franco Zefferelli behind the camera this is an incredibly well made movie that makes the best of what story it has. It hits its most intense spot just a scene before the end and I can’t deny the rush of emotion it gave me. Shields and Martin Hewitt are on fire in this penultimate scene – it’s almost laughably intense but it worked for me completely, being one who never quite believes love of such magnitude unless it comes with equal pain attached. Seriously, in short, I don’t know why but this movie ultimately worked for me.


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