Posts Tagged ‘romance’

Endless Love

Endless Love

Wednesday, April 1st, 2009

I feel like I’m going backwards LOL. The tagline for this movie was “She is 15. He is 17. The love every parent fears.” Like, huh? Luckily this is just another marketing faux-pas, however. While daddy here is dead set against the teenage lovers, mom is creeping down the stairs and watching them make love by the fireside in lieu of any real action for herself upstairs.

This is a movie with too many things wrong with it to mention, but as often as it almost made me cringe (and to be honest, it never tipped me 100% over, except perhaps the father’s profoundly unbelievable demise), I found it turning around and catching me out. As you may have guessed, this is the movie that introduced the Lionel Richie / Diana Ross hit to the world, and the score plays off it amply – to my surprise, it turned out to be the most I’ve got out of the song despite having heard it just as many times as everyone else on the planet. Brooke Shields is of course phenomenal to look at, and she has some impressive bits of acting too. The script is melodrama city but with Franco Zefferelli behind the camera this is an incredibly well made movie that makes the best of what story it has. It hits its most intense spot just a scene before the end and I can’t deny the rush of emotion it gave me. Shields and Martin Hewitt are on fire in this penultimate scene – it’s almost laughably intense but it worked for me completely, being one who never quite believes love of such magnitude unless it comes with equal pain attached. Seriously, in short, I don’t know why but this movie ultimately worked for me.



Circle of Two

Circle of Two

Tuesday, March 10th, 2009

… ‘cos I may as well run with a theme. I held off watching this one last year when I was having quite the Tatum O’Neal feast while reading her autobiography because she hasn’t made a whole lot of movies and I felt like I had to save something. Though this movie sounded tacky as anything and the cheesily soft romantic opening credits did nothing to change the expectation, you kinda can’t go wrong by me if you put her and Richard Burton on screen for 90 minutes.

At least, that’s what I thought. Though initially this partnership works as expected – their first conversation in the restaurant, for instance – sadly, as this particular 90 minutes goes on, it gets more and more tiresome and unconvincing. It’s like the film makers started with a perfect pairing but are dead set on finding the sourness that just isn’t there in the actors’ chemistry. There’s a double climax sequence where first Tatum strips for Burton, and he tells her to “Get Dressed!” several times, unfortunately with a more age-appropriate suitor of hers (played by Michael Wincott of all people) peeking through the door; she flees and encounters him in a corn field of all places … “You’ll undress for anyone but me!” he declares, and then proceeds to try and rape her. It really shouldn’t be funny, but it’s such a laughable progression of incidence that it’s hard to stifle a titter. The rest of the movie flows predictably moralising the whys of why relationships like this could nevah!, evah! work.



Twilight [2008]

Twilight [2008]

Tuesday, March 10th, 2009

Where to begin on this but exactly where I imagined/feared I’d begin prior to seeing it. Simply, do yourselves a favour and if you must see this, you must see Let the Right One In first – it’s like as imperative as seeing [Rec] before Quarantine. Even if you’re a young teenager, this is my advice and just about all I ultimately have to say about Twilight, which I frankly found even more of a joke than I ever could have imagined … it coming from one of my favourite directors Catherine Hardwicke, I’d honestly thought I’d be pleasantly surprised.

Look How Moody We Are!

But this isn’t just a lesser vampire movie than that Swedish masterpiece. I find it honestly painful to think of anything it is. I struggle to imagine how it is in book form, so devoid is it of any kind of event. A vampire rescues a girl from an out of control car outside school, it takes her an hour screen time to figure out what he is, and for the last 50 minutes they run around looking moody like an Evanescence video. Though it entirely looks as pretty as a Catherine Hardwicke movie, I’m glad to hear she’s not going to waste her time on the sequels. This lacks any of the teen commentary of Thirteen, all the adolescent rush of Lords of Dogtown, and the ethereal (may I say supernatural?) sense of The Nativity Story. It’s literally just two hours of teen angst in the worst, and most passive way. It saddens me beyond words that this is the new height of teen culture. Thank God for HSM3, there’s no wonder they need that too.



The Duchess

The Duchess

Tuesday, March 3rd, 2009

Again there isn’t a lot I can say of this but that it was exactly as expected. I really wouldn’t have watched this one were it not for the sole Oscar nomination it received and thank heavens it didn’t get more than the rather obvious costume design nod. Kermode said this film made him finally think of Keira Knightley as an actress rather than a joke; I can’t say I was as impressed. It’s still just Keira Knightley, this is all she can do, and she can’t even do it well anymore it seems. The music is gorgeous and tugs the heartstrings amply, but I’m just not that easily fooled anymore and I’ve never been a fan of this kind of thing anyway. Plus I just despise the whole, “oooh, it’s just like Charles and Di, innit?” thing. In short, like I haven’t been already lol, it’s as pretty as any period movie but certainly not worth any amount of money and time that was spent on it nor anything anybody spent to see on the big screen.



Australia

Australia

Monday, February 9th, 2009

It’s funny, the first thing I’ve gotta say of this is, after all I’d heard and read from others about the movie, I genuinely expected it to be far more ridiculous than it ultimately struck me. As it turns out, this movie is just about exactly what I expected when it first began to be talked about, is it almost 2 years ago now? I also kind of expected it to be a lot longer than it was – is 2hrs 40 minutes really considered crazy long again now?

The section in between the whole cattle drive and the bombing is clearly the part that makes people feel the movie is overlong and I’d agree at least on that whole sequence. The movie feels so over once they get the bloody bulls on the big metal ship that it kind of reminded me of the act break in something like “Into the Woods” on stage. The children’s island mission party scene, then, is like the “I’m so happy you’re so happy” song that opens act 2 there. My mum commented on how the movie kept feeling like it was ending … I really can’t say I got this feeling enough to make it an issue. I really did just get swept up by this as much as I’d hoped months and months ago but genuinely never expected as the time came to sit down and actually watch it. Jackman might quite easily make it into my special little J’s list (Johnny, Josh, Joseph … you get the picture :-P ), Kidman is in least-annoying mode, the kid is beautiful, the music and visuals fantastic … I really simply can’t imagine how anybody thinks it could be better. Most of all, it’s far from ridiculous. It’s heightened, and old-fashioned – but that’s Luhrmann … that, I expected. The “Wizard of Oz” references complete the marvelousness.



Vicky Cristina Barcelona

Vicky Cristina Barcelona

Wednesday, January 28th, 2009

The words “New Woody Allen” haven’t appealed to me for a while now, if indeed ever (even though I like plenty of them); throw in “beautiful people”, particularly Scarlett Johansson, and “exotic locale”, and you’ve perhaps got my least anticipated movie of the past 12 months, lol. Well, my interest perked up a little with Patricia Clarkson in the first few minutes … however, just ten minutes later the movie didn’t even need her anymore to keep me hooked. I was honestly pretty shocked by how much I enjoyed this movie. It does have the kind of characters at its core that I expected, that usually turn me off a movie immediately … the casual sex and everything, just not at all my cup of tea, in fact at worst I can get pretty passionately anti this kind of thing – and yet they are just so interesting here that I don’t have time to get annoyed.

All the players are pretty much at their best- and when those players include Scarlett Johansson who I’ve really still never liked much since The Horse Whisperer, that’s really saying something. Throw in some serious surprises towards the end and you’ve got one 2008 movie I’m actually stunned to say I’m likely to watch at least once over in the near future. It really is just a lot of sexy European fun, the kind that even I can’t resist.



Slumdog Millionaire

Slumdog Millionaire

Tuesday, December 30th, 2008

This kind of has the initial effect that Frost/Nixon had on me. You get all worked up by the hype the movie is generating, both of them getting serious Oscar buzz including the potential big Best Picture nod; and then, where as Frost/Nixon began I found myself going, “oh yeh: it’s a 2 hour movie based on an interview,” here, I found myself going, “oh yeh: it’s a 2 hour movie about a guy winning Who Wants to Be a Millionaire?” lol.

No, it’s far from that bad … but it does fit comfortably alongside the vastly overrated bunch of movies we’re seeing headed for the Oscars this year. This movie grew on me fast from that initial worrying response – but it never struck me as anything more than well-made and watchable. The music is gorgeous, the colours and performances wonderful; but I’d sooner watch just about any other of Danny Boyle’s movies, throwing in a viewing of 4 Best Picture nominees from 1994 – Quiz Show, Forrest Gump, The Shawshank Redemption and Pulp Fiction – that arguably meld together with a dash of Bollywood to create this one 14 years later. I can see it making it to the Oscars and even coming out smiling … I guess I just don’t think this year’s line-up of nominees is going to be as exciting as everyone else does … lots of good movies this year, that’s for sure … but so few great ones. It’s not a bad film at all – but all the good things to be said about it have been said just about too many times with exaggeration, and I take it upon myself to redress the balance.



The Go-Between [1971]

The Go-Between [1971]

Wednesday, July 2nd, 2008

Grr. The recording of this cut off just a little before the end but I think I got the idea … I’m not too great at finding things to say about films like this anyway. What I do know, what matters, is that I kinda liked it and would certainly (especially since I missed the end lol) watch it again. Michel Legrand’s music is really gorgeous.