Posts Tagged ‘reality’

JCVD

JCVD

Wednesday, April 15th, 2009

This one kind of intrigued me and I was far from disappointed. You may have heard the story here: Jean-Claude Van Damme plays a version of himself in much the same way – in an at times similarly surreal story – as John Malkovich in Being John Malkovich. Needless to say I haven’t really followed Van Damme’s real life for a while if ever so I was interested before writing this review in finding out how much, if anything, of the truth seeps in here; before realising that any “truth” I found could easily have been doctored to fit in with the film, lol, so I gave up. Which I guess is just one of the many things the movie could be about, that inevitable blur between fact and fiction that exists today, our sense of wanting and wanting to be celebrities and others in high places, and perhaps how they feel about the situation.

Unlike, apparently, many of those who praised the movie when it was released, I wasn’t overly wowed by the big surreal monologue moment here. Van Damme is fantastic for the duration, not just in this slightly too whiney segment, and I prefer the more subtle glances at the camera for breaking the fourth wall. It’s the kind of movie you can take mostly as tongue in cheek, a kind of clever curio, yet still get swept away by the drama. When the chaos is at a maximum inside the post office, I found myself genuinely fearful for the hostages etc. There’s a believability to the whole thing beneath the Brechtian pretense that kind of took me by surprise. It goes without saying that it’s Van Damme’s best film by leaps and bounds, but it works on its own merits as a heist movie too, and its originality is unquestionable.



Rachel Getting Married

Rachel Getting Married

Wednesday, February 18th, 2009

In my eyes, Anne Hathaway hadn’t made a good movie since the fluke of The Princess Diaries which perfectly exploited her Julia Roberts-ness before this* so when I saw her nominated for an Oscar over what I felt sure must be greater performances, my jaw kinda dropped. Even though this is directed by Jonathan Demme who of course made the amazing Silence of the Lambs among other things, even that didn’t really make me wish to see it; afterall, aside from the documentary stuff he’s been pretty quiet for a while. So it’s another movie that, honestly, I may never have got around to were it not for the Oscar nod. Well thank God for the Oscars. I finally have a nominee for Sunday that I can save my champagne for – Anne Hathaway is that good here and it wouldn’t surprise me in the least if she makes it up to the podium.

An Awkward Group Hug

This whole movie reminded me of the moment in Pieces of April where Sean Hayes screams from his apartment, “You’re a bad girl!” and she sits on the bottom step, pouting, insistent, “No I’m not,” tossing his toupée up to the landing. It reminded me of the Maggie Gyllenhaal starrer Sherrybaby too. I’d heard two negative things about Rachel Getting Married back on its UK release, however, that I felt might easily turn me off unlike those two, and that’s the very upper class nature of the family it deals with combined with the downright unlikability of any of the protagonists. When Hathaway’s character Kym is seen cavorting with the best man just seconds after getting out of rehab, I thought that was it over for me. Yet for some reason I just got more involved as the movie progresses. There’s so much that’s unsaid here, so much done with the merest of glances; after Doubt, possibly over that in fact, this is easily the best all-round acted movie of 2008. Though Hathaway shines, she’s supported all around by a host of others worthy of recognition, most of all Debra Winger. Even though it flails once or twice, most notably in the “dishwasher” scene and a lot that could be cut from the wedding itself, this is a movie I’ll likely come back to and find more every time. Like Pieces of April I’ll bet it’s a movie you can watch once for every character involved and find something new. It’s by no means as lovable or loving as that movie, but it’s every bit as illuminating.

* (edit .. of course Brokeback was a masterpiece and The Devil Wears Prada was fun, but that had nothing to do with Hathaway)



Quarantine

Quarantine

Thursday, February 12th, 2009

What is there to say of this but that it’s really not as bad as it’s tempting to go in expecting. While it’s true that you will get a better experience, aside from the lipsync, by watching a dubbed version of [Rec], it’s also undeniable that the Western remake brigade could’ve got away with a lot less respect for the source than they ultimately do here. There are unnecessary changes here and there (in addition, it must be said, to some rather amazing inventions: death by camera, for instance), and the acting isn’t quite as convincing; plus there was simply something about the original being located in a literally foreign place, making the confines of the apartment block all the more alienating; but this is still a fantastic experience that made me jump more than a lot of recent horror movies. Clearly I have to recommend [Rec] first and foremost … but if you do happen to be illiterate or a Xenophobe … there are worse things you could watch.



Slumdog Millionaire

Slumdog Millionaire

Tuesday, December 30th, 2008

This kind of has the initial effect that Frost/Nixon had on me. You get all worked up by the hype the movie is generating, both of them getting serious Oscar buzz including the potential big Best Picture nod; and then, where as Frost/Nixon began I found myself going, “oh yeh: it’s a 2 hour movie based on an interview,” here, I found myself going, “oh yeh: it’s a 2 hour movie about a guy winning Who Wants to Be a Millionaire?” lol.

No, it’s far from that bad … but it does fit comfortably alongside the vastly overrated bunch of movies we’re seeing headed for the Oscars this year. This movie grew on me fast from that initial worrying response – but it never struck me as anything more than well-made and watchable. The music is gorgeous, the colours and performances wonderful; but I’d sooner watch just about any other of Danny Boyle’s movies, throwing in a viewing of 4 Best Picture nominees from 1994 – Quiz Show, Forrest Gump, The Shawshank Redemption and Pulp Fiction – that arguably meld together with a dash of Bollywood to create this one 14 years later. I can see it making it to the Oscars and even coming out smiling … I guess I just don’t think this year’s line-up of nominees is going to be as exciting as everyone else does … lots of good movies this year, that’s for sure … but so few great ones. It’s not a bad film at all – but all the good things to be said about it have been said just about too many times with exaggeration, and I take it upon myself to redress the balance.



Death Race

Death Race

Friday, December 5th, 2008

One can’t complain too much about this one at all – I personally kinda got a little excited when I discovered Ian McShane and Joan Allen were in it. I haven’t seen the original Roger Corman movie yet so my nearest point of reference would be something like Running Man combined with Logan’s Run, the former of which at least it doesn’t stand up badly to at all – it’s certainly more fun than Doomsday (read: less hateful and childish) and I imagine on the big screen it was even better. Ian McShane isn’t in it nearly enough, but Joan Allen more than makes up for it. Her presence reminds me of the great stupid action movies of the 90s like Face / Off and The Rock that I loved (and love) so much – and while this isn’t anywhere near comparable to the likes of those, for this decade’s lousy record it’s possibly the best one can hope for.



[Rec]

[Rec]

Monday, November 3rd, 2008

Again, here is why I do the Halloween marathon each and every year even though it too often entails sitting through too much awfulness than is healthy for a borderline manic-depressive, lol. Well, between this and The Strangers, I can safely say I had a great one this year (and I’m still technically halfway at this stage, hehe, continuing it today and through the weekend; in fact, repeat viewings of the classics will likely go on to mid-November, ROFL). I was apprehensive about watching this initially as it’s been a long time since I watched anything with subtitles. But the runtime of well under 90 minutes and my usual rule of, “ya know what? if it’s good, it’ll grab me,” forced me to put it on at the end of a long night when I could finally keep my eyes on the screen to read.

I needn’t have worried about that, really, for two reasons. One, this belongs to the great tradition of great foreign language movies – indeed, any language movies – where the dialogue really isn’t all that essential. Like Amélie or Life is Beautiful, you could easily watch this with the translations absent and still perhaps be just as terrified as I ultimately found myself. In fact, it might even help, so much is the fear here created by the feeling of being trapped in an unfamiliar location. Yes – did I mention? – this really is perhaps the scariest movie I have ever seen. That statement might be exhaggerated due to it being so long since I’ve been this terrified by a movie. But let’s just put it this way – these 80 odd minutes reminded me completely in the end of how I felt the first time I saw The Exorcist. This is coming from someone who has really been quite numbed by the sheer quantity of films of this genre that I’ve seen. I can’t speak highly enough of this movie, how overjoyed I was to realise I can still be made to feel this way in a darkened room for an hour and a half, lol.

There is clearly a Blair Witch-y influence going on here in the style, fake reality nightmare etc. The opening actually reminded me a lot of Hellraiser III though, too. It quickly becomes a kind of zombie movie more in the tradition of 28 Days Later, the sickness affecting people never really being defined entirely – George Romero’s latest installment in the “Dead” trilogy is another clear comparison and it must be said, I realise he really missed the boat having seen this. Then there’s the end of the movie, where it really enters Exorcist territory. I almost worried that this might ruin the movie for me, but it only terrified me more. When the religious side of things comes in here, and that creature stalking in shadow … I was literally staring at the screen, eyes wide, hand over my mouth, saying out loud, “WHATTHE F*CK … IS IT?!!” It is simply a phenomenal production, incredible performances all around and a pace and tone that just never lets you go.



Diary of the Dead

Diary of the Dead

Sunday, May 4th, 2008

“If it’s not on camera, it’s like it never happened …. right?”

It sounded a little dodgy and I certainly didn’t want to be too hasty about being excited about this latest “official” installment in the Romero Dead series after Land (which I’ve watched most of again recently … in short, it really didn’t warrant a new review, it’s pretty unremarkable) … but at the same time I kind of couldn’t help myself. Even though this mockumentary horror thing has been done almost to death now since Blair Witch leading through to Cloverfield, bringing the technique to the Dead series sounded pretty fascinating, and any time Romero returns to this series it’s exciting, as they’re always among the most important horror movies, if not always quite the best.

Overall, it works. While it’s not quite the “zombies in a mall” of the masterful Dawn, the social commentary here (though perhaps a little obvious: just about anyone who documents the dreary details of their life in a blog or who has neglected to truly experience a vacation because they were behind a camera the whole time will understand what it’s saying well enough) is certainly more pointed than that in Land.

It gets a little dull towards the end, the whole thing just isn’t as awash with the message as Dawn was, and it frequently becomes “just another teen horror movie”. But the end (“Are we really worth saving? You tell me.”) sends you out with genuine chills running down your spine. It’s in your face and feels like a hammer on the head, but it does the job of “implicating the audience” a million times better than, for example, Funny Games U.S.. There is some humour to counter this depressing stuff, however: I don’t think I’ve laughed more this year than I did over the “Hello, I’m Samuel” sign :)



The Matrix Revolutions

The Matrix Revolutions

Tuesday, March 18th, 2008

Another case of me going “WTF?” over my old review. Best in trilogy indeed :-P I don’t know what I was thinking – though I fully remember watching it that time and finding something about it I really loved, I have no idea what it was, and this time around was just exactly the same as the first time … just a huge, pointless, rambling disappointment.

I’ll give it the showdown between Neo and Smith – that’s what we’re here for. And, at the risk of sounding like a broken record, again I slightly underappreciated the visuals of this finale in the past. But really even here the movie lets itself down entirely, when Smith delivers a 100% convincing monologue about “the vagaries of perception” that Neo’s pathetic, “Because … I choose to!” can do nothing to defeat. It’s just a shambles really, I don’t even wanna try saying any more about it. It’s a beautiful, slick shambles with a great fight at the end … but it’s still a shambles.

April 15th, 2004:

Now dare I say it… I think this is the best in the trilogy. I know, I’m as shocked as anyone. My advice to anyone who saw this in the cinema and came out practically even hating the first because it was so bad, is watch it again… really, truly, watch it again.

All of the Matrix movies have major flaws… they’re not Citizen Kane, The English Patient, Fight Club – how much you let those flaws ruin the experience though, is up to you, because there’s undeniably as many great moments as flaws. My thoughts on this trilogy lead me so far to one difficult conclusion, that they’re really not cinema – they’re art, but they’re something beyond cinema, because the audiences’ reactions to the movies, especially the sequels, is as telling as the concepts in the movies themselves.

It hasn’t happened yet, but I’m convinced that one day, if I grow to love one movie in the Matrix Trilogy, Revolutions will be that movie. But again, I have to say… the jury’s still out. But Smith’s final speech gives me chills more than anything in the series.