If you look at my list of tags on the left of this site, where font size indicates the number of posts with that tag, you’ll see that two tags in particular have stood out like sore thumbs ever since I added the feature to the site, cuties which I use wherever a notable young actress (sometimes actor) is present, and horror, which is self-explanatory. Anyone who has read my reviews or plain known me long enough will know that when both these elements are present, I will assuredly be in line

I wasn’t sure what to expect from this movie at all. I’d seen no trailers, read few comments, knew no plot details other than what the poster told me, that “There’s something wrong with Esther …” The girl on that poster, Isabelle Fuhrman (last seen as actually one of the more memorable aspects of the otherwise disappointing Hounddog), frankly didn’t even catch my eye due to the strange symmetry they’d given to her face. So I went in knowing only that it was a horror movie with a little girl in it, which really wasn’t too bad a start.

Though it’s ultimately a little too long, more of which in a moment, this movie doesn’t waste its time in telling its audience up front that it’s not going to be a half-assed version of this type of story. The opening, a nightmare sequence, is truly one of the more unpleasant things I’ve seen in recent movies, and the half hour that follows, leading up to a grieving mother’s final decision to adopt an older child, drew me in completely. Within 15 minutes I had that feeling I long for in movies, that I was in good hands and that I really would willingly accept anything director Jaume Collet-Serra (he of the House of Wax remake, which – don’t hold it against me but – I also quite liked) wanted to throw at me.

There’s an awkward half hour or so following Esther’s entry into the readymade family waiting for her where I genuinely feared they had dropped the ball. Isabelle Fuhrman hooked me completely in her very first scene, having a stern and troubling face that melts away the moment she smiles, but even she here is hard to watch as scenes seemed to go nowhere, unfinished, setting things up but leaving so much unsaid as to be annoying.

Fortunately, this disjointedness doesn’t go on for too long. Soon enough, Esther shows her true colours. This is ultimately the movie that Omen IV could have, should have, been. It’s Debbie Jellinsky from Addams Family Values: The Early Years. It’s Foetal Attraction. It’s all those things and it goes all the places that make you go, “No … they’re not gonna go there, are they?” Yes.

Maybe this is where I say too much but the thing I loved most about the movie in the end was how, much like I did in The Children, I kinda couldn’t help but be on Esther’s side much of the time. The scenes at school, for instance; the punishment of a bully (to be honest, when they said that girl only broke her ankle I felt a little let down lol); the way she completely fools her foster mom’s psychiatrist (marvellously played by the marvellous Margo Martindale, btw) who is clearly full of psychobabble, and the ensuing misunderstanding as all the blame and mental issues fall to the completely wrong person, the mother. I love the inevitability of these stories of manipulation, horrible though it may be when it happens in real life. I can’t help but be kind of happy for Esther, too, when she uses her intellect to flatly prove her case. It’s just like the Revenge of the Sith / Matrix Revolutions thing all over again I guess … sometimes, evil just plain got a point LOL.

Anyway, the movie is surely not for everyone. Even I kind of wanted to leave after the wretching first 5-10 minutes and in particular Esther’s abuse of the youngest of her new family is rough to bear – like everywhere else in the movie, Collet-Sera pulls no punches here and the story goes wherever such a person as Esther would truly take it, and that’s to be admired in my book, especially in a movie as otherwise slick and “mainstream” as this is. It will shock those expecting the usual top ten horror movie especially in the UK with its 15 rating. For me it is easily the best movie (in an admittedly short list, I admit) I have seen all year, if only for its flat out rageousness. The acting, particularly by young Fuhrman who I’ll be looking out for in future, but also by Vera Farmiga and the ever-reliable (albeit always the same) Peter Sarsgaard, is perfect; and the moments when it is in full sway more than make up for any hokiness in the storytelling and its slight overlength. Really, any modern horror movie that has the impact this had on me after two weeks of watching the “Masters of Horror” series has gotta be doing something very right indeed, lol.