Posts Tagged ‘high school’

Remember the Daze aka The Beautiful Ordinary

Remember the Daze aka The Beautiful Ordinary

Tuesday, May 25th, 2010

Hmm… not much to say about this one. I’ve been wanting to watch it ever since it came out because it has Alexa Vega in it and I’ve always liked her ever since Spy Kids. And both titles, plus its relatively low profile, made it sound like it would be at least a little more adventurous than the average teen movie… and it is. Just a little. There’s too much swearing for it to actually be aimed at the usual teen market, for instance, but its content doesn’t go far enough (especially in the wake of the likes of The Rules of Attraction 5 years earlier – yes, I know that is centred around college life and this is about high school, but frankly, this movie wishes it were centred around college as much as its characters wish they were at college lol).

Immediately after it finished I quickly tweeted that I felt the movie fell somewhere between Havoc and Havoc 2: Normal Adolescent Behaviour. The first of those movies was completely forgettable and an embarrassment for Anne Hathaway. The second of them should have just presented itself as an original, not a sequel, and was a much more interesting look at adolescence. This movie is not without its moments… a few early on genuinely took me back to the same time in my own life and how it felt, I can’t deny that… but it made me really expect something far more moving or even profound that never really came… nothing actually happens in the end to make it stick. Kind of disappointing.



Twilight [2008]

Twilight [2008]

Tuesday, March 10th, 2009

Where to begin on this but exactly where I imagined/feared I’d begin prior to seeing it. Simply, do yourselves a favour and if you must see this, you must see Let the Right One In first – it’s like as imperative as seeing [Rec] before Quarantine. Even if you’re a young teenager, this is my advice and just about all I ultimately have to say about Twilight, which I frankly found even more of a joke than I ever could have imagined … it coming from one of my favourite directors Catherine Hardwicke, I’d honestly thought I’d be pleasantly surprised.

Look How Moody We Are!

But this isn’t just a lesser vampire movie than that Swedish masterpiece. I find it honestly painful to think of anything it is. I struggle to imagine how it is in book form, so devoid is it of any kind of event. A vampire rescues a girl from an out of control car outside school, it takes her an hour screen time to figure out what he is, and for the last 50 minutes they run around looking moody like an Evanescence video. Though it entirely looks as pretty as a Catherine Hardwicke movie, I’m glad to hear she’s not going to waste her time on the sequels. This lacks any of the teen commentary of Thirteen, all the adolescent rush of Lords of Dogtown, and the ethereal (may I say supernatural?) sense of The Nativity Story. It’s literally just two hours of teen angst in the worst, and most passive way. It saddens me beyond words that this is the new height of teen culture. Thank God for HSM3, there’s no wonder they need that too.



Pretty Persuasion

Pretty Persuasion

Thursday, March 13th, 2008

“There are just so many stupid, annoying, worthless people on the planet. They just like, get in the way of what you want.”

The first thing this movie reminded me of was my most shameless personal fave, Slap Her … She’s French (especially considering that movie’s alternate title “She Gets What She Wants”) … but it’s a lot more subtle, extreme and subversive than that. It’s funny I found myself watching it during the BBC’s “White” week, in a way. The moment Evan Rachel Wood starts her speech about how wonderful it is to be white being as she wants to be an actress, all of this told to a Muslim student, listing Asian as her second choice, then Afro-American, and finally Arab … it certainly makes you gasp if anything more than I remembered “Slap Her” did – and where that race line goes in the end … I still don’t know quite what to think of it except to compare it to the other stereotypes in the movie, like, yes, the male and female ones, and say that it is one of those movies where the stereotypes really never bother me quite as much as they should, basically because the script just oozes smarts and Wood delivers those smarts in a way I really think nobody else could. It seems like she gets better with every film I see her in, and the final shot of her here is just phenomenal. James Woods, Jane Krakowski and Selma Blair are the icing on the cake.



10 Things I Hate About You

10 Things I Hate About You

Thursday, January 31st, 2008

I guess it was a little unwise of me to watch this one at this time as I kinda knew it wouldn’t be my type of movie. Even despite having meant to watch it ever since it came out thanks to the presence of Larisa Oleynik pretty fresh off “Alex Mack” (one of the best TV shows ever – whatever happened to her after “Third Rock”?!?), the generic high-school-comedy-ness of it didn’t excite me too much. I’m writing this a couple of days after watching it and honestly I’m struggling to remember any highlights. Julia Stiles is great as always and Alison Janney as “Ms. Perky” kind of does a Dolores Herbig from “Dead Like Me” a few years before that show aired. I watched it of course for Heath Ledger, and I’ve gotta say, it’s not exactly essential viewing in his catalogue.



Remember the Titans

Remember the Titans

Wednesday, January 23rd, 2008

As a sports movie, this was obviously gonna be a hard sell for me – its sole achievement threatening to be that it makes Friday Night Lights seem even more pointless. But when I love a movie as much as I love Uptown Girls, I don’t let the subject matter get in the way of catching up on the director’s other work.

The complete lack of any conflict or drama in the movie’s first half hour doesn’t help. This is a movie about a mixed race school football team, and the set-up is that they put this team together and everyone is pretty much fine about it. Luckily there’s an “ah-ha” moment around 35-40 minutes, though, where they enter “the real world” and things get tough – but it’s Disney, so, not that tough.

It’s watchable. But knowing me I’m probably only being nice ‘cos Hayden Panettiere (who it took me a while to recognise but I got there eventually – I guess I just always figured she was older than she is in Heroes lol) is cleverly planted in just about every other scene – her football crazy daughter of one of the coaches is about as funky as the rock ballerina girls in Uptown Girls and a little of a lot of cuteness like that (especially when it’s unexpected as it was to me here) goes a long way in a movie like this, lol. I’m sorry but I laughed my ass off at the “nanana, hey hey hey, goodbye” ending :P That tops Shrek the 3rd‘s use of “Live and Let Die” for most inappropriate funeral scene ever, lol.



The Cheerleaders

The Cheerleaders

Tuesday, December 4th, 2007

Move aside, Porky’s, lol. This deserves praise for doing pretty much exactly what it says on the tin, to a staggering degree, right from the opening credits. The uniforms, the lettering on the credits, the song, and then … skin … vast quantities of female flesh.

It’s porn cheese city, and there’s very little more to say about it. Like, it’s so much just a porn movie that I found myself considering whether I would even count it as a movie and write about it here. But it has to be said, it’s got something of a story (albeit it most of it rushed through in the last 15 minutes), it’s better shot than most porn I’ve seen, and it has a slight bit of tongue in cheek. Some of the exercise equipment stuff is just inspired.

I just really dug the simplicity and innocence (for want of a better word) of it all. Like Slumber Party Massacre without the massacre or something. It’s probably very exploitative and caters to highly prurient interests (at one point one of the girls dresses in the clothes of her teddy bear, clothes she got when she was 12) … but I guess I just wanna say, “whatever” to that lol. I found it simple, sexy, and hilarious. Almost instantly a cheesy fave of mine.



Carrie [1976]

Carrie [1976]

Monday, October 29th, 2007

The most tragically beautiful horror movie ever made? I think so. That said, I find the more I watch it, the less it even feels like a horror movie and more like the saddest, most painful high school movie that just happens to be punctuated by blood and the supernatural. The only part that always really chills me is Piper Laurie’s eerily joyous performance, and the piano theme that plays at the White house (currently on the playlist on my front page radio thing), most particularly when Carrie falls down the stairs. That music cue just feels completely like death – or rather, the draining of life.

Piper Laurie and Sissy Spacek were deservedly (if bizarrely – would it happen today, one wonders?) nominated for Oscars for their roles. I’m always just as taken by other performances, though: Amy Irving and Betty Buckley are particularly noteworthy. I love the way Buckley imbues Miss Collins with this real bug up her ass – I forget if her backstory is detailed in the novel, and I know she tells the story toward the end about taking the leader of the basketball team to her prom but I’m always torn between whether she was the Sue Snell of her time – a reluctant “popular girl” who sympathised with the Carrie Whites – or even worse the Carrie White of her time. There’s a real sense of triumph as she watches Carrie crowned as prom queen; of hope when she talks to Carrie about Tommy’s invitation; an instant confrontational attitude when she talks to the “popular” girls; instant doubt when asking Tommy and Sue about the illfated invitation. Intended or not, she does the all-grown-up bullied girl very well.

Then there’s the music. Pino Donaggio’s themes (far-too-obvious Psycho references notwithstanding, lol) – in addition to the two beautiful songs at the prom (“I Never Dreamed Someone Like You Could Love Someone Like Me” probably the best love song ever) are almost if not more than half the movie for me here. They carry you with Carrie to the depths with her mother at home and the horror of school to the tentative acceptance of the dream of having that final prom dance – and then the nightmare aftermath of even that seemingly impervious dream being shattered like all the rest.

BTW, the DVD of this is much better than I originally thought whenever it first came out. There are no commentaries or anything and the features list reads like just a bunch of promotional featurettes – but the “Acting Carrie” thing combined with “Visualising Carrie: From Words to Images” is really more like a decent behind-the-scenes documentary. Unfortunately it doesn’t actually contain the screentests they talk about … but it’s still really good hearing from most of the cast members years later.



Grosse Pointe Blank

Grosse Pointe Blank

Tuesday, October 23rd, 2007

“You can never go home again, Oatman. But I guess you can shop there.”

Too many quotes I could’ve begun with here – but that one’s as good as any. Check them out – just a great screenplay.

A slight diversion from the horror due to disk space being required on the Sky+ box, not to mention the last batch being frankly rubbish, lol. I recorded this last week and only just realised as it began … 10 YEARS, man! lol. Amazing how time flies, and amazing how good this movie still looks and feels.

Midway through the movie, I realised, sure I was enjoying it but it did feel like something was missing – call it a combination of the age of the thing and the fact that it’s one of those movies I watched way too much at the time and which brings back lots of confusing pesky me things, lol. But it’s amazing once we get to the reunion itself at the end, how the mood changes – anchored on that shot of John Cusack looking up at Minnie Driver from feeding the baby with a bottle. Yes, that whole scene is too cute for words – but that shot in particular, the look on his face, is just incredible. Likewise, the soundtrack – which is one of the best ever – is great throughout, but it’s in that last 30 minutes that it just soars. The “Live and Let Die” moment early in the movie is genius (Shrek the Third take note, this is where that song belongs) – but “99 Luftballons” at the end is up there with the absolute great soundtrack moments, floating in as it does over Minnie Driver’s wrecked expression.

This is just one of those perfect movies – if it weren’t for the fact my old DVD was a barebones release, I’d be kicking myself for getting rid of it because it is one to watch on a yearly basis if not even more frequently. It’s a real shame nobody had the mind to put together a 10th anniversary collector’s DVD. Roll on 2012? 17? lol.