Posts Tagged ‘gender’

The Nines

The Nines

Tuesday, January 22nd, 2008

It’s just impossible to describe this movie so I’m not even going to try, except to say that though it took a while to get started, longer to even come close to comprehending (I’m still working on it, as is probably annoyingly evident), there wasn’t a moment where I wasn’t completely absorbed in it.

It might be the “something even better” from 2007 I wondered about in my Oscars post last week. It might just be a load of claptrap – the thought certainly crossed my mind more than once over the 100 minutes. But going by the feeling it left me with … a heady mix of sadness, worthlessness, joy that just felt like a warm blanket when I was 2 or something … this movie goes further out there even than Vanilla Sky yet what it comes down to in the end is so real and right and wholesome … for now I’ll give it the benefit of the doubt. A second viewing is a must … but whatever the case, it’s certainly a mindblowingly original piece, and a far cry from anything I could’ve expected from my occasional dips into writer-director John August‘s blogs about it, that’s for sure. It honestly felt almost like a religious experience, and I know how corny that sounds but I just don’t know how else to describe it. A lot more Elle Fanning than expected (well – I didn’t actually know she was in it, lol, so that wasn’t gonna be hard) didn’t hurt either :)



The Kingdom

The Kingdom

Thursday, January 10th, 2008

Though it has an array of impressive action sequences and performances , I found this overall just a little too cheesy, especially considering it was written by Matthew Michael Carnahan who wrote the briskly engaging Lions for Lambs. Like, take Jennifer Garner’s character – though I liked her in the role (sorry to sound surprised, I just always still get her mixed up with Jessica Alba and Biel who aren’t quite so consistently impressive), literally the only thing that sets her apart from the others is this huge, “I’m the only woman here!” whine that’s shamefully overdone … here she is bursting into tears in the brief room; here she tells the soldiers not to cross the “pink line”; it feels like we’re meant to be impressed by a woman braving such situations but, oh dear, there she goes again crying over the coffins going home; I find it funny I haven’t got around to finishing this review until after seeing the other day’s “Daily Show” with the thing about Hilary Clinton’s “emotional moment”, ‘cos it’s kinda similarly infuriating, like, look, she’s a woman – see? emotional. Wow. Also, the marble thing I’d been told would be like a “Bruce Willis Sixth Sense moment!” really didn’t wow me much, and the overall message of, “ooh we’re all the same afterall!” was frankly done better in that moment at the end of Volcano when the little boy comments on everyone all caked in ash. Throw it on the “dazzlingly … empty” pile. Suddenly I feel like I’m seeing where all the “it was a bad year” guys were coming from with my recent watchlist. Is it too much to ask for a movie to be a movie from start to finish?



The Rocky Horror Picture Show

The Rocky Horror Picture Show

Wednesday, January 2nd, 2008

“If only we were among friends! Or … sane persons!”

What a way to start the year this is (okay I watched Hot Fuzz again before it, but didn’t have much to add to the old review, though it did rise significantly up the 2007 list). I don’t think it had ever really occurred to me before, so thanks I guess to ITV for putting it on early yesterday morning :)

The lyrics are even more incredible than I remember – this is a guy really loving words, like it’s more often than not the sound of the words taking precedence way over any meaning – “I’ll tell you once, I’ll tell you twice / You better wise up, Janet Weiss.” “You’re as sensual as a pencil.” It almost reminds of Tim Rice at his most fun (I know, different people might take that comparison differently; for the record, I love Tim Rice, this is a positive thing I’m saying).

What struck me too on this viewing is how surprisingly clean the movie is. On the sex front it’s as tame as a pantomime, it’s all implied though if you’ve got any hormones whatsoever I’d be shocked if you weren’t turned on at some point – I personally find it just about the sexiest film ever, like, even Tim Curry is somehow a turn-on lol. There’s the fairly shockingly gruesome killing of Eddie but even that’s more in the sound mix than anything else. I guess if you’re offended by words like “transvestite” and “transexual” it might hurt a bit, but really it’s not even as crazy as I thought it was. It only really strikes one as so utterly subversive etc when you’re able to recognise all the symbolism in it like the rainbow colours and the triangle on Frank N Furter’s medical tunic etc.

“It’s not easy having a good time. Even smiling makes my face ache.”

Ultimately it’s how the ridiculousness of it all just builds and builds (I still remember how much I lost it the first time I watched it that moment when Riff-Raff and Magenta burst in in their alien regalia, lol) only to be cut through by the key line of the whole thing, “Don’t dream it, be it,” and then to cap it all the King Kong reference with Rocky climbing the RKO tower.

I don’t know, sometimes I think I take these things a little too serious considering they are at their core just a little kind of homage or spoof, but, y’know, I always let my heart make the final decision when it comes to movies, and the “Don’t dream it, be it,” and the RKO thing … they really make this movie for me, it’s not just a weird cult entertainment for me, it actually means something. I watched it for the first time almost 10 years ago and if I said it wasn’t at least partly responsible for the things I’ve gradually learned to accept about myself in the years since, may I be struck down for such a giant lie. You can take that last sentence however you want ‘cos I’m still a little averse to being specific. This movie just says how wonderful it is to be yourself and though it almost sounds ridiculous, to not be afraid of things that are pleasing to you. There is simply no better message for a movie to have. If it feels good, why knock it? We badly need another movie like this for today, pronto. I’ll keep my personal detailed ideas on that notion to myself for now :P



Day Watch: Dnevnoy dozor aka Night Watch 2

Day Watch: Dnevnoy dozor aka Night Watch 2

Tuesday, December 11th, 2007

Even more lavish in the visual department than the first, at first I worried this would be at the expense of continuing what looked like a really nice story in the first movie. The second part in a trilogy is like the worst kind of second act in a regular movie – you’ve really gotta have something to pass the time. What better surprise, then, could I ask for here than a very well done gender-based body-swapping subplot, lol. Sometimes the humour in this part gets in the way of more poignant matters; sometimes, in fact, I fear it’s lost in translation entirely. But this is still a rip-roaring ride, if only for the visuals, and since there’s 2 years to wait for Twilight Watch, it’s mercifully wrapped up neatly in the end, so neatly in fact that I wonder how the story will continue. Can’t wait to find out, though.



Bad Girls [1994]

Bad Girls [1994]

Tuesday, November 27th, 2007

I could so easily convince myself that I loved this movie for the same reasons I looked forward to seeing it (lol, though obviously not that much, I’ve been “meaning to see it” for at least 5 years …) – Drew Barrymore, of course, and Jerry Goldsmith’s score. I defy anyone not to find themselves with a huge smile on their face as the end credits roll, the girls in silhouette “getting away with it” to Goldsmith’s full-on version of the glorious main theme (one of those precious few that never diminishes no matter how often it’s repeated). But overall, the fact is it’s pretty bad with only a few admittedly well-placed set-pieces to hold the attention, by no means succeeding as the semi-feminist tract I think someone involved might’ve wanted it to be. It could one day find its way into my cheesy faves collection, but for now I really can’t give it more than 3 stars.



Seed of Chucky

Seed of Chucky

Thursday, June 29th, 2006

Part of me didn’t want to write a second review of this movie – I mean, it’s Chucky, for god’s sake – but I can’t stop myself. I know why the people who think this movie sucks think this movie sucks but personally, honestly, I’m almost overwhelmed by it. Though it remains a pretty perfect b-movie horror, chock-full of homage, it’s still entirely its own organism, and Glen/Glenda is a character who will stay with me till the day I die. It’s beauty and the beast, there’s some killer gore, excellent shocks, beautiful girls in Hannah Spearritt and Jennifer Tilly, delectable one-liners, John Waters’ face melting! You’ve gotta love how much Don Mancini fits into 80 minutes. I sincerely hope this movie made enough money in the end to finance another installment. Honest to God, this baby is beautiful.

9th December 2004:

I still haven’t seen Bride of Chucky, but I have vague memories of the original three Chucky movies, not that it really matters here, since most of the backstory is either fully recapped or hinted at enough for a stranger to get by.

This is a hell of a great horror movie. From a manic assault of Hitchcock homages at the beginning (from the obvious shower stabbing to a beautifully mimicked shot from the same movie that actually made me jump out of my seat more than I have in a looong time, something that happened quite a few times in this movie), through to the unveiling of a movie world within the movie (Jennifer Tilly plays an exaggerated – at least, I hope exaggerated – version of herself; they’re making a movie about the two dolls, which were found at the scene of “unsolved murders”), through to the “Seed” of the title, a new doll, Glen, or Glenda (paying homage to Ed Wood), in an at times genuinely moving subplot of confused identity. This movie truly has it all; jumps, laughs, severely grotesque deaths, John Waters, and, finally, tears.

It also features Hannah Spearitt, from S Club 7, as Jennifer Tilly’s ill-fated assistant. She’s the main reason I watched the movie in the first place, since I loved her so much in Agent Cody Banks 2: Destination London, and I loved her as much here, though her demise kind of upset me, lol. I hope she keeps making movies.



Dr. Jekyll and Sister Hyde

Dr. Jekyll and Sister Hyde

Thursday, February 2nd, 2006

Watched this for the obvious reason, can’t resist anything with a good gender swap lol. The tagline to this movie (according to the IMDb) read: “The sexual transformation of a man into a woman will actually take place before your very eyes!” which led me to expect something a lot more trashy than what I got. The whole thing is told surprisingly straight – straighter than any other Hammer movie I’ve seen, I think, in fact. The first transformation, when it finally occurs, is fairly mesmerising without being as graphic (pity :-P ) as I’d expected, and the subsequent ones are pretty interesting too (like the homage to the classic version of the story with Fredric March, done in a mirror). I like the integration of the Jack the Ripper murders, and the ending is pretty out there too. I’m not sure if I’d bother with it again, but it’s worth watching and better than I expected, I’m still waiting for the movie gender transformation to end all movie gender transformations though :-P



Mulan

Mulan

Saturday, March 26th, 2005

I still have a really strong memory of the last time I saw this in a cinema and it was one of those instances of the whole ‘cinema experience’ making the world of difference to a movie. There were kids everywhere, getting so into the whole thing, and everybody was just responding to it completely.

Sometimes Mulan goes too far over the silly humour line for me – and its ending (a chirpy happy pop song played in the ancestors’ temple) is really kind of lame. But I never tire of the key songs (“Honor to Us All”, “Reflection”, “Be a Man”, and “A Girl Worth Fighting For”), Jerry Goldsmith’s score, and the killer flashes of great animation (the haircut scene is certainly among my alltime favourite scenes).