Posts Tagged ‘fairytale’

Hoodwinked!

Hoodwinked!

Tuesday, February 6th, 2007

I had basically two reasons to hate this movie – 1) the animation – I mean need I say more, this is probably the worst “at a glance” looking movie of the century … when Red Riding Hood says at the start, “Your face looks a little weird, gramma,” I almost couldn’t resist the urge to say, “Uh … you’re not looking too hot yourself, Red …” and 2) y’know what? I don’t want to see Little Red Riding Hood all pimped out and updated etc. I like that Little Red Riding Hood is one of the few perfect embodiments of innocence in the world of fiction. The Christina Ricci “caca” version (which I really wish I could find again, any suggestions?) was about as far as I can take it and that was only by virtue of that version’s sheer oddness.

But, anyway, it’s the same old story – I’ve lost count of how many animated movies have looked horrendous to me over the past couple of years before I saw them, and only Barnyard has so far really delivered on the rottenness stakes. This movie is surprisingly watchable, the animation ultimately sits together surprisingly well, and in fact, sometimes some of the textures are pretty damn impressive considering the obvious limitations these guys had. The lighting is pretty nice, too. And that old innocence is definitely there enough for me – Red’s song at the beginning is one beautifully cheesy moment.

Suddenly I feel like I’m excusing the movie, like, “actually it was awful but I just feel so bad kicking it …” but really, that’s not what I mean. This is probably one of the best non Pixar/Disney/Dreamworks animations I’ve seen and at 80 minutes, it’s really not worth complaining about for the way it fills the time.



Artificial Intelligence: AI

Artificial Intelligence: AI

Friday, December 31st, 2004

This is just a masterpiece now as far as I’m concerned. I’ve seen it that innumerable number of times and it just always gets me intensely emotional. I understand it completely, every single image, shot, line of dialogue, action, carries some meaning, and I just get the whole thing, like the whole movie was made only for me, I get it. So many people hate the ending: I think it’s absolutely mesmerizingly beautiful. The score is one of John Williams’ best, if not the best.

In addition to those who simply hate the movie, I can’t understand those who claim that Kubrick (who planned to direct the movie himself, from like decades earlier) would’ve made a better movie. This movie is Kubrick all over to me; it’s certainly more Kubrick than Spielberg. Heck, it’s more Lucas than Spielberg. Check out the complete change of story that lands almost exactly on the 50 minute mark, when we fade out on David being left alone in the woods and fade in on our first look at Gigalo Joe. Kubrick used to do this a lot, off the top of my head in Full Metal Jacket (from the suicide to ‘Nam) and A Clockwork Orange (I think the first is where Alex is arrested). Instead of the usual 30-60-30 minute structure, it’s the 50-50-50 structure (AI’s a little shorter than that).

I was babbling a little after watching this tonight and I stumbled across something I hadn’t thought about before. I was talking about how the visual effects will never age in this movie (and I’m sure they won’t: they’re simply perfect), then I added that the story itself might become obsolete, even if the effects don’t. That’s kind of scary, because all the things this movie addresses could be entirely possible even within a couple few decades. Then, I guess that makes the whole theme of the movie even more hopeful: if you want something bad enough, even if it seems impossible, or even just if people are telling you it’s impossible, just believe in it long enough, and one day it will be possible, because one day, everything will. Such a great movie to watch the same day as Finding Neverland, lol, now my brain is totally screwed :-p