I had a feeling this would be better a second time, but I don’t know where to begin describing the sensation I felt walking home today. Sometimes, just sometimes, it’s really worth seeing a movie on the largest screen you can find. I’m sure that’s the opposite of what I’ve said elsewhere but hey, I’m saying it.

I had my eyes on Johnny Depp for pretty much the whole movie this time – projected larger than life his performance is even more outstanding than I’d first thought, and though I’d pretty much been swung over to the Daniel Day Lewis camp earlier today seeing some clips from There Will Be Blood, I couldn’t have swung back harder or faster. It’s not just the singing and the face and the accent; what captivated me more than anything here were the full-length shots of Johnny … the way he walks and carries himself, he’s like a silent movie star, it’s all Sweeney and though he’s on the screen almost constantly, I wanted even more of him just standing, brooding.

On occasion my gaze did shift, though, to the other actors; particularly Helena Bonham-Carter, who is also much better than I’d previously thought … watching her just through the “Not While I’m Around” scene, right up to her closing the door on Toby in the bakehouse, is just about as mesmerising and gutwrenching as watching Depp for the rest of the film’s duration.

It is slightly more violent than I’d perceived the first time around (though I’d still stand by what I said about the BBFC – and I was glad to hear Mark Kermode saying much the same a couple of weeks ago on Five Live), but as many have said already, it borders about as much on the ridiculously comic as it’s possible to do without veering completely into nonsense and making a mockery of the rest of the drama; the roll-on effect being that when those crucial deaths occur in the final act, your focus is entirely on the higher meaning of the deaths, and about as far removed from the shower of blood as I think has ever been seen in such a bloody movie.

I didn’t spot Anthony Head’s brief appearance the first time either – it’s truly blink and you’ll miss it, lol. I think he was originally to be one of those who sang “The Ballad of Sweeney Todd” – which I guess I also want to mention again. I’ve grown to love this exclusion – it’s beautiful as underscore and really, as I said in the earlier review, I missed “Kiss Me” much more than anything else. And even that exclusion is still a minor drawback, which along with the slightly hokey, “That’s all very well …” line following “Epiphany” (it’s in the trailer too), is far from enough to counter the fact that this movie is really, quite jawdroppingly, perfect.

7th January, 2008:

NB. I’ve decided to post this now, it’s been sort of hanging back till I see it “properly” ‘cos, as with Rent, my opinion after a first watch felt very muddled but having listened to the soundtrack again the other night, I remembered the one reason I think it really is as good as I wanted it to be and that’s that, basically, it reaches that same crushingly beautiful hollow in the end that I remember from the first time I saw the show / listened to the cast recordings / whatever. I can’t wait to see it again, definitely a birthday present to look forward to

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I can’t begin this review without pointing out how ultimately I couldn’t help but approach it on a first viewing the same way I did the Rent movie. It felt almost like a chore, like, I almost just wanted to get the watching of it “out of the way” so I could watch it again if that makes any sense. I wanted to know what was missing, what was new, what was changed, etc, so I could amend my perspective or whatever to get the most out of it. Subsequent viewings of movies like this will always be more enjoyable than the first for me – I don’t like unpleasant surprises much Not that there are many here, I hasten to add (the clue is in the star rating if I start to sound like I was disappointed).

I guess I’m surprised now having seen it how universal the praise has been. It’s by no means as conventional an adaptation as they could’ve made it, and the cuts are just as unexpected (“Green Finch and Linnet Bird”, to my joy, remains; while “The Ballad” is used only for instrumental underscore). I love how young Toby is now and Ed Sanders, who plays him, is incredible in the part. And while I’m on the supporting cast I may as well mention Sacha Baron Cohen as Pirelli … even more perfect than I imagined he’d be.

Then there’s the gore. I’m baffled and a little annoyed by having just read that it has been rated ‘18’ here in the UK. To me it makes little sense – even if it’d actually been as violent as I’d been led to expect (which it isn’t) … there is no sex (even the beggar woman’s bawdy taunts are gone – though they’re there on the soundtrack …), no bad language (edit: okay, the “s” word but that’s still PG material …), nothing but blood here for the BBFC to be offended by. And though the ‘18’ certificate isn’t quite the kiss of death the NC-17 rating is in the US, I still think that stopping under-18s from seeing a movie like this … I mean it’s Sondheim for heck’s sake … it sends out the wrong message entirely about what the BBFC’s purpose is. I hope a few councils think to overrule it and let a few school trips get in or something.

Of course, I can’t end this review without mentioning Johnny Depp I’d seen bits and pieces of the performance and couldn’t resist sneaking a few tracks of the soundtrack prior to watching the movie, and I knew that the gruff bellowing rage of George Hearn etc was pretty much gone, replaced with Depp’s beautiful but admittedly thin voice. In the context of the whole product, though, there’s far more surprises in his singing than I expected. He actually does come close to the roar of the stage Sweeneys in places, and when he holds the soaring, swooping higher notes, especially alongside Alan Rickman on “Pretty Women”, it’s absolute heaven. The harmonising on the part of the other actors is really impressive too.

See, kind of a flat review and I’m afraid I might sound like I was slightly bored by the movie. Like I said, it was the first look. My anticipation for this movie was massive, I pretty much knew how much I was going to love it. It’s been like a present sitting under the Christmas tree, like I know what it is, I really want it, and now I’ve opened it I’m just looking forward to playing with it again later. If that makes any sense, lol.

One thing I will say is that despite all the buzz etc, and I’ll be continuing my little corner of support for it, I’d be astonished if this was nominated for a lot of Oscars let alone winning any – I keep seeing other hopefuls and just about everytime I find another category I feel Sweeney will be shut out of … even Johnny in the end. It just really doesn’t strike me as that kind of movie, not from any angle I look at it, and there are so many other movies that, no matter what I think, are gonna get a hell of a lot more votes. Like I said – don’t get me wrong, I love it – I’m just kinda surprised that so many other people do too. It seems so grey and grim to me to be getting such love as it is. I feel like they could’ve used the crossover aspects better – the Sondheim fans, the Johnny fans, the gore hounds – they could’ve made it 2 and a half hours, they could’ve really used the Johnnyness, and despite what people are saying .. it could be gorier.

Yes – I’m giving it 5 stars, it’s at the top of my 2007 list, and I’m sitting here saying it could’ve been better, lol. But, like Rent was still “Rent”, y’know: it’s still “Sweeney Todd”. It might not be as definitive a version of the show as I’d hoped for – it feels a little too fast in places jumping from scene to scene (“Kiss Me” would’ve been a particularly helpful inclusion I think towards the end) but it still knocks the socks off anything else seen in the past year. All I can think could be the reason for its success is the thought of those who have never seen or heard of Sweeney Todd. When I think of those people, I almost literally turn green with envy. I guess going into this movie that way, as perhaps many have … that would be a pretty astonishing experience … which is exactly why I’ll be taking the family for my birthday “thing” in February