Posts Tagged ‘action’

Indiana Jones and the Kingdom of the Crystal Skull

Indiana Jones and the Kingdom of the Crystal Skull

Thursday, May 22nd, 2008

The best way of summing up this is simply to say … they do make ‘em like they used to afterall. Having refreshed myself with the first three movies this week, I (along with I’m sure dozens others in the audience) got a nostalgic thrill simply from the familiar opening credits style to John Williams’ imminent strings (the Paramount logo, I won’t go into; nor the catalog of other spoilers I could let slip – normally I don’t care about such things, but this is one that would be too cruel to spoil … I won’t even add certain tags to this post until a few months time). We’re taken to a familiar location – familiar to us, but not to Jones, who appears in those iconic fragments you’ve seen in the trailer. This opening sequence ultimately leads to a classic Indy escape involving, of all things, a refridgerator. Oh, and a gopher.

Sure, the plot at times beggars belief: even when you’ve suspended your disbelief sufficiently as to enjoy these movies (watching the original trilogy in preparation is definitely recommended). In fact, I found it quite strange that even Jones – having witnessed the wrath of God, a man’s heart removed by supernatural means, and the Holy Grail in previous installments – is found saying such things as, “That’s just a legend!” in skeptical tones … maybe it’s an age thing.

But for all of its flaws – and there are plenty – as a sequel, this has everything even demanding moi hoped/expected. There are creepy crawlies (an eye-watering, itch-fit-inducing amount, beware!), waterfalls (count ‘em), car chases, quicksand, vineswinging, snakes (of course), skeletons, cobwebbed caves, and more. There’s a little old-age lamenting, Last Crusade themes slipping into John Williams’ score, which is admittedly the least original of the whole series, and the ending owes something to that unforgettable face-melting finale to Raiders (I must admit, I wish this had been a bit more graphic). You even get a little peak of something in that familiar location at the start (I’ve probably said too much now – oh well). I’m not sure if that shot was slight overkill. I’m not sure if a lot of it was overkill, lol.

All told, however, I couldn’t take the inner child grin off my wide-eyed face for the duration. The visual effects are at once nostalgic in their rear-projected glory, but startling in their modern sensibility. There’s a moment with Shia LaBeouf astride two speeding vehicles that literally took my breath away. Janusz Kaminski apparently studied the work of the earlier movies’ cinematographer Douglas Slocombe, and it paid off, from those wonderful opening credits on it really looks like an Indy movie, but again, there’s the modern touch, Kaminski’s visceral jittercam slipping in where it’s needed. It’s like everything else about the movie – it’s all the best parts of all that came before and then something extra. It’s bound to please fans and newcomers, in the fans’ case no matter what their favourite installment has been to date, but I don’t think it will displace that fave in most cases. Likewise, as expected, it’s the best film I’ve seen so far this year; though I would hope it doesn’t stay that way. All in all, it’s a helluva ride if you’re prepared to go with it.



Indiana Jones and the Last Crusade

Indiana Jones and the Last Crusade

Wednesday, May 21st, 2008

“I’ve got something to tell you -”
“Don’t get sentimental now, dad -”
“The floor’s on fire. And the chair!”

The opening of this one is a clunky, cheesy, bitter disappointment after Temple and even after that it takes a while to get going, but I think once I got a severe case of the giggles over the old man/rubber stamp scene I found myself back in the mood that these movies require (it was definitely a good idea to re-acquaint myself with them before seeing the fourth tonight: I’m sure it’ll be awesome but you certainly need to be in the right frame of mind to get the most out of this franchise). Once Sean Connery shows up, of course, the movie enters a league all its own.

It’s a little clinical and clunky in production quality for me in the end, with as many duff notes as there are sweet ones. It feels a lot more like an Indy movie once they get inside the Holy Grail place at the end, and that “Let it go,” line from Connery really caught me offguard, I hope there’s something “deep” like that in the new movie (as well as the insanity of the end of Raiders and the whole of Temple). I’d really take the more iconic original or the joyous second over this any day, but in the end it’s still all good.



Indiana Jones and the Temple of Doom

Indiana Jones and the Temple of Doom

Wednesday, May 21st, 2008

Well, colour me surprised. I thought this was my least favourite of the series, had believed some recent talk about the annoying Short Round, borderline racism etc, but none of it holds. This is riproaring from the Bugsy Malone meets Blade Runner start to the simply stunning rope bridge finale, passing through genuinely creepy crawlie, jump round every corner, horror and mine rollercoasters midway. I personally find Short Round hilarious, and John Williams adds even more catchy themes to the series score. The whole thing is just breathtakingly non-stop, at times almost hilariously so – it’s still semi-episodic in structure but rather than the episodes starting and finishing in their entirety they just keep on coming and flowing into one another. I absolutely loved it this time around, I think it’s this one that Crystal Skull will really have a hard time topping for me.



Raiders of the Lost Ark

Raiders of the Lost Ark

Wednesday, May 21st, 2008

Indiana Jones and the Kingdom of the Crystal Skull seems, oddly, to look like the best film I’ll have seen so far this year come later on this evening – okay, I haven’t seen much, but there hasn’t been much to see … and it’s Spielberg, I’ve got faith. Though I was never a massive fan of this series, except in that horrid way that young boys are compelled to be rabid about such things, I’m pretty excited about it, so I’m watching the originals in preparation, I’m sure I’m not alone :)

The thing that I noticed more than ever before watching this installment was just how episodic the script is. I know this was like the whole point, etc, to recreate the old 30s and 40s serials and what-not – but it never before struck me as so crazily disjointed, each segment is its own separate short movie almost.

In so many ways, it’s an un-reviewable film: personally because I seem without ever really trying to have committed the whole darn thing to memory; because the Macfarlane/Groening/etc parodies in the intervening years make it impossible not to smirk in inappropriate places; and generally, because you can’t deny how perfectly iconic it is and how huge an impact it made on movies. John Williams’ score is one of the greatest, Karen Allen is gorgeous (very excited about her being in the new one) and the finale is awesome, even more of a WTF moment, again than I ever recall it being – I mean, the movie’s just so nice and gentle up to that point, lol!



National Treasure: Book of Secrets

National Treasure: Book of Secrets

Tuesday, May 13th, 2008

As with the first movie, this is clearly “Meh-” material: as Mark Kermode put it I think, it passes the time until Indy 4 well enough. But as with the first movie, it must be said that it’s mostly a good “meh-”. It’s bookended by a build-up and finale that are almost identikit copies of their original counterparts (“it’s a little gold man …” anyone?) but it has its moments like a chase down the tiny backstreets of London, a foray into Buckingham Palace, a nice scene around Paris’ Statue of Liberty (which reminded me I really must remember to see that next time I go).

It’s a Bruckheimer movie, so you should expect plausibility to go entirely out of the window, and that it certainly does around the point where Nicolas Cage manages to kidnap a President who seems almost willing to be kidnapped – even that’s a fun sequence, though, I’ve gotta admit. Likewise the stuff with Helen Mirren and Jon Voight as “mom and dad” feel often hideously like pandering to the older audience, but, y’know, it’s Mirren and Voight, it’s hard to complain. If you don’t watch movies often then it’s the last thing you want to waste your time on; otherwise, knock yourself out.



Jumper

Jumper

Tuesday, March 18th, 2008

I feel luckier than most of those who’ve been disappointed by this one by the fact that my interest in it lay pretty much solely in AnnaSophia Robb’s appearance in it, and I found out how small her role was when I saw the trailer months ago. It’s smaller still than that, in fact … but at least I was prepared. The worrying thing to me about her presence here was how young she looked – like, just how long ago was this thing shot?! ‘cos right now, even around the time Bridge to Terabithia shot, I’m sure she could almost quite easily have played the older, more prominent, Millie. (this article suggests they shot August 2006 … I guess AS is just good at dressing older more recently, lol).

As to the movie – well, it’s as slick as the trailer looked, and I think the key lies in realising the rather dreary thing the movie is saying, and it’s something we’ve all wondered from time to time if we’ve ever thought about having a superpower and which one we’d choose etc; would we really use it to help people like Superman etc? Or would we just keep it to ourselves and peep on people in the shower (ahem)? But while this would seem to be a unique and pertinent, especially at this point in time, subject for a movie, it turns out to be pretty unexciting in the end.

I think the only thing that could maybe have made it better is if they cut out the time lag and cast a younger guy as the hero, keeping AnnaSophia in the Millie part (really, this is not just the AnnaSophia fan in me saying this lol). You can imagine younger teenagers acting this way, even as far as “acting older” like Leonardo DiCaprio in Catch Me If You Can. When it’s Hayden Christensen and Rachel Bilson … it’s just kinda pathetic. Also nobody should ever let Jamie Bell use his regular voice in a movie, ever again. I figured it might’ve worked here in the short clips I’d seen, being as it almost makes sense if he’s never stayed in one place most his life … but basically, the movie’s just not good enough for me to be that considerate over it.

The scene where Christensen finally reveals to Bilson his little quirk is quite the ultimate case in point as to why this movie is so far from realising its potential. He dances around the issue in a stupidly comic way, Samuel Jackson right outside the front door seconds away from killing them both; and when he finally shows her, her acting ability is revealed in all its hopeless glory as she “reacts” to seeing a human being defy the laws of time and space before her very eyes.

Having only seen 3 movies so far from this year (including this), I really thought this would be the one that made it feel like the year had begun. As it is, though the other two (Rambo and Day of the Dead) were no masterpieces either, I’d certainly watch them again much sooner than this one, which told me all I needed to know in one go and left me simply wanting to shout, “Next?”

On the plus side the visuals are good (Egypt in particular – Bucket List losers take note lol) as are the exotic locations. I guess they make up for the criminal underuse of AnnaSophia. But we’re still left with a gaping hole of a movie. That it ends an hour too soon (not that I’d want another hour; but seriously, no ending in movies has ever made me think “That’s it?!” so loudly) is just insult to injury … and that Christensen doesn’t even learn anything by the movie’s close is just … grr, can you just tell that I’d rant about this for days if I had the time? I guess there’ll be a sequel … I mean god, if White Noise got one … I won’t even be rushing to download that … unless it’s AnnaSophia.



Rambo

Rambo

Thursday, February 7th, 2008

I was really impressed by Rocky Balboa … and I guess it was a little dumb of me to expect Sylvester Stallone to do the same here as he did there; part because, in a sense, I guess he has done the same as he did there, only, not in the way I expected. Rather than instill the franchise with something more than the basic high concept formulaic nonsense as he did with “Balboa”, he’s really made here the definitive Rambo movie, just as he made the definitive Rocky movie in “Balboa”. I think the best review of this I’ve read recently said something along the lines of, it would probably feel more at home and play better on a crappy VCR, pan-and-scan and tracking problems included lol. He’s been that faithful to the general feel of the series.

Which is a shame – I figured especially with the titling of the installment, he was going for the same thing as Rocky Balboa … reclaiming the franchise and showing ‘em how it’s done after being disappointed for years with how the sequels to his greatest successes were being treated. The last half hour of violence here goes some way towards making it worth watching … but it’s really mostly a letdown all the way. He had a gift here in that the title hadn’t even yet been used in the series (“First Blood” having been the title of part one) … boy does he squander it.



Day Watch: Dnevnoy dozor aka Night Watch 2

Day Watch: Dnevnoy dozor aka Night Watch 2

Tuesday, December 11th, 2007

Even more lavish in the visual department than the first, at first I worried this would be at the expense of continuing what looked like a really nice story in the first movie. The second part in a trilogy is like the worst kind of second act in a regular movie – you’ve really gotta have something to pass the time. What better surprise, then, could I ask for here than a very well done gender-based body-swapping subplot, lol. Sometimes the humour in this part gets in the way of more poignant matters; sometimes, in fact, I fear it’s lost in translation entirely. But this is still a rip-roaring ride, if only for the visuals, and since there’s 2 years to wait for Twilight Watch, it’s mercifully wrapped up neatly in the end, so neatly in fact that I wonder how the story will continue. Can’t wait to find out, though.