Raising Cain
This is one of the first movies I remember seeing and thinking, “I want to make movies,” I think I even remember the conditions of the first viewing – 2.5” mini TV, under the bedsheets at school after lights out, lol.
It’s very awkwardly done in places and I imagine some people won’t give it the time it deserves because of that fact, but the story here is fantastic if you can wrap your head around it – it’s quite amazing how much Brian De Palma manages to fit into 90 minutes. Pino Donaggio’s score is one of his better efforts, particularly the music box theme, some of the photography is pretty interesting, and John Lithgow’s performance – while it’s was never going to win him any accolades – is delightfully over the top (I love the scene in the police station when he, as Cain, is ‘playing’ Carter). Throw in the usual De Palma homages to Hitchcock (one of the best in this one – a direct salute to Janet Leigh’s car sinking into the swamp in Psycho, with just a little sting in the tail), and this is a movie I can watch over and over.
May 29th, 2007 at 8:44 pm
[...] This falls between the last of De Palma’s great Hitchcockian homages, Raising Cain and a while before the Wachowski brothers’ sleek and sexy “Bound” and its loneliness in the cultural grand scheme of things shows – really it’s just a straight-to-video horror movie with lofty aspirations that also doubles in its own way, luckily for some, as a vehicle for Drew Barrymore. It pains me to say, though, even she’s really not required to do anything but look like Drew Barrymore here. [...]