I really can’t fathom the slamming this one has been given … I mean, really. Sure, it’s been done before – I’d personally describe it as a hash of Final Destination, Groundhog Day and Gothika – but here, even when it’s hokey (Peter Stormare as a concerned psycho-therapist? please) it is far from plain bad. Sandra Bullock is as good as always, fantastic even, and even Klaus Bedelt’s score is pretty nice listening. I’ll definitely watch this again.

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