Léon: The Professional
I tried writing one review of this already and it ended up being all over the place. The problem I have with this movie is, it’s among a small cluster of movies that I watched almost repeatedly when I was first falling in love with the movies. Apart from the extra footage that’s in this longer version, which still catches me off guard, I practically know the movie by heart. It’s impossible for me to make a fresh judgment of the movie – it’s either an embarassing reminder of my youth, or simply, awesome.
I completely advise watching the longer version because, though the extra scenes are not essential to the story (it was a favourite movie long before I had access to the long version), once you’ve seen those scenes, you just can’t forget them. They deepen the relationship between Léon and Mathilda and I’d honestly say it’s a better handling of this kind of relationship than either of the Lolita movie adaptations or any of its clones.
This is a highly stylised movie – even New York looks strange, it’s only Central Park that truly gives away the location. The costumes are particularly stylised and probably it’s the costumes that make a lot of people even more uncomfortable with Natalie Portman’s character/performance. The fact is, she is sexy as hell in this movie, and she’s meant to be. Our connection to Léon practically depends on this point – we feel his discomfort when she dances dressed as Madonna and Marilyn Monroe… the point is to question how far a friendship of this sort should go, and as far as the movie is concerned, the one line that should not be crossed is sex, pure and simple. I actually seriously wonder if this movie would be made today, especially the long version in which Léon clearly shares a bed with Mathilda – I mean, isn’t this just what Michael Jackson’s under fire for right now? Like Mathilda says, “It’s a great game… it makes you think...”
Writing something along the lines of that last paragraph is what has held me up writing this review – ‘cos like everyone else these days, I feel like I’m going to be shot in the head if I even suggest we should remove the barriers of fear we’ve put up as far as young people and “beauty” goes. That’s all I can really say in a short review but I think there’s a lot of discussion to be done on the subject … somebody actually should make a movie like this again before children are completely outlawed and forced to grow up in seclusion with electrostatic shields or something.
I think this is a great movie… I certainly love watching it. But it could just be the combo of the old memories of watching it when I myself was underage, and the current issues I see in it.
April 13th, 2007 at 4:49 pm
[...] I had to think about this one a lot before reviewing it. There’s something about the presentation of the movie – straight-to-video, Milla Jovovich, revenge thriller – that doesn’t exactly invite a lot of post-credits dissection but I think if you go into this expecting the simple, trashy revenge thriller it purports to be, you’re only in for some disappointment and might be better off renting something like Léon, which this movie actually sort of resembles in places. This has far more meaningful things on its mind. [...]
April 18th, 2007 at 2:57 am
[...] Léon: The Professional Luc Besson [...]
May 14th, 2007 at 12:56 am
[...] Something had led me to believe the girl in this version was much older, something I always thought would take away a lot of the power of Scott’s version. But Jade Malle, who plays the girl here – 12-year-old Sam, not 9-year-old Pita as played by Dakota Fanning in the 2004 version) – really looks the part more than I’d thought she would. Malle looks incredibly like Natalie Portman in Leon – and while it’s easy to criticise her performance (it is a little wooden sometimes), I think it’s as much if not more to do with the way her character is written (that is, badly) that makes the emotional connection between her and Creasy, though not entirely absent, never match the sheer beauty of that found in the 2004 movie. [...]