I thought this might’ve made an appropriate follow-up to The Siege, and turn out to be another movie that is more interesting and pertinent now than it was when it was made. I didn’t even know Michael Moore had ventured into narrative movie making until a few weeks ago when, while watching Roger and Me, I checked out his IMDb page. This movie has a handful of laughs, but overall, my theory was unfounded; it plays about as dull as it probably did in 1995 and probably will in 2095. Considering the crew Moore somehow managed to pull together (cinematographer Haskell Wexler, production designer Carol Spier, composer Elmer Bernstein, and a cast including Alan Alda, Rhea Perlman, Jim Belushi, and Dan Ackroyd), it should’ve been way better.

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