It’s of course even harder to write a level-headed review of this movie following Heath Ledger’s death than it was in the fog of Oscar buzz on its original release, and these are the only two ways I’ve yet seen it, so time will still tell as to whether it’s as good as I’ve found it both times around. Sky Movies had it scheduled to screen the night following Heath’s death, I think purely out of coincidence – they did a triple bill of his movies on Saturday in a specific tribute – and I kinda felt like I wanted to do something, like anything, as the news just hit me in a way I’d never have expected and it seems it hit a lot of people the same way too.

The first time I saw the movie, I kind of missed the 1963 date at the start and it took me until the late 70s/early 80s styles came in to actual realise exactly when it was all set, and it seems to me this kind of highlights why it’s so much better than the surface story would suggest. So many movies do the whole society against the minority thing, and this could’ve easily gone exactly the same way. What makes this one special is the deep-seated conflict at the very heart of the relationship – Ennis’ absolute conviction that what they’re doing is just abhorrent, and where that notion comes from. This story could happen right now – though society has just about changed for the better when it comes to accepting sexuality, it doesn’t make it any easier for those with a certain upbringing to accept who they are let alone act on it. The sixties setting here really only heightens an already tough piece of drama.

I was upset at the time when Ledger didn’t get the Oscar – though I was glad to see checking the IMDb while watching that he was nominated … I’d forgotten if it was he or Jake Gyllenhaal who got recognised (they both did – Gyllenhaal in the supporting category) – of course, I’m even more upset now. It’s probably been said all over the place especially in the past week, I’ve read it myself a dozen times, but it’s one of those things that deserves to be said so often – it’s an amazing performance. The key scene in the tent, from his half-pushing Gyllenhaal away, half-pulling him back; his long-coming emotional outburst after Gyllenhaal’s “I wish I knew how to quit you!” line; to that last line, “Jack I swear”; the one word that comes to mind about every second of this character is “beauty”. And it’s a beautiful film he lives in.

24th January, 2006:

I was one of the first people to snigger at the gay cowboy thing, I confess … I’m a South Park fan, I watch Letterman, what can I say? Add to that, I really didn’t like the hype that this movie was getting. Much as I respect Ang Lee as a film maker – even in the recent shadow of Hulk, The Ice Storm at least was a masterpiece – and good as the movie looked, it still felt a little to me like all the last remaining homophobes on the planet were finally coming out to beg redemption by praising it. I mean, didn’t Far From Heaven kinda tread this territory before without such a hue and cry?

So I began the movie looking for reasons to hate it – it’s a little obvious here, a little clichéd there, etc, etc. But, I’m glad (relieved?) to report, my prejudices are not set in stone. This movie is even more beautiful and deep than I’d been led to expect. And when I say deep, I mean I’m seriously, as Cartman would say :p The photography is gorgeous, the pacing precise and never dull, the performances, eek, I’m gonna say it, braver than anything in recent memory. Heath Ledger is going to get the Oscar, I hope Michelle Williams too. As movies go, 2005 just looks better and better the more I see – why couldn’t all these movies be scattered throughout instead of all clumped in the end???

This entry was posted on Monday, January 28th, 2008 at 7:59 pm in 5 hearts, Movie Reviews and tagged as cowboy, Eighties, gay, Seventies, Sixties, Texas. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.