2008 Albums (halfway!)
Monday, June 30th, 2008Halfway and looking good
Still lots to look forward to. I’m not including my own effort (iTunes), it feels too weird to do so
But I will make mention of it for the sake of shameless self-promotion – and if I did list it here, it would certainly sit higher than Madonna and Scarlett Johansson even in my self-loathing ‘cos at least I was trying and improving on what I did before, lol.
- Music of the Spheres – Mike Oldfield

The first few bars had me hmming over its overwhelming similarity to Tubular Bells which I list among the greatest albums ever made, and I’m sure there are negative reviews out there to that effect. But though that similarity can’t be denied, the feelings this filled and left me with are completely different from Bells … it’s the most reverential work of art I’ve seen, heard, or witnessed in years. It’s music to bow down to almost. I don’t think I even want to hear anything better this year. - Join With Us – The Feeling

So close to pipping the Oldfield album, this was. It peters out at the end with a bunch of tracks that could easily be removed and render it a practically perfect 45 minuter. But no matter – the greatnesses here are huge … like Supertramp and ELO plus a little bit more, it just leaves you with a smile on your face. - Je sais que la terre est plate – Raphaël

Of course, I knew I’d love this one, the guy is a musical god as far as I’m concerned. His sound is slightly different yet again, though perhaps not as stark as the switch between albums 1, 2 and 3 … here, he finally gets use of the full Bowie band and the production skills of Tony Visconti but his is the voice that shines through. I adore “Adieu Haiti”, “Sixieme Etage” (continuing his flair for appeasing those of us whose French isn’t exactly top notch with a catchy series of “oh-oh”s :)) and “Tess”. Like Caravane it’s short at 35 minutes, but it feels much much longer and I could listen to it twice over in one sitting anyway. - Volume One – She and Him

Zooey Deschanel sings. Seriously do you need any other reason to listen? Okay … because it’s LOVELY. Okay? I love it anyway
- 15 Minutes Ago – Jessica Lombard

Not many people will have heard of this girl; I don’t even know quite how I first came to know of her. But from listening to a few of her quite stripped down (production-wise) songs on MySpace, my heart leapt when I found this album on iTunes. It’s wonderfully produced, the words reach right inside you, and her voice is just astonishing. Think Jewel only, 12 years old (somewhere along the line I’d changed that to 15 in my head – I’m even more amazed having just read that again on CDBaby …) - I Know You’re Married, But I’ve Got Feelings Too – Martha Wainwright

I liked her first album but I’ve kinda stuck on listening only to the first track in iTunes ever since … this one has a much greater chance of having total regular rotation. It sounds so much like her mother and aunt the McGarrigle sisters in places it’s uncanny, I’m not sure if this is deliberate or that she’s just naturally grown into the family shoes (her first album really wasn’t so recognisable). “So Many Friends” is my fave so far. - Fire Songs – The Watson Twins
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I really liked their work with Jenny Lewis a couple of years ago and this doesn’t disappoint as a follow-up. It’s perhaps not an album I’ll play a lot ... but like the Paul Weller album, it’s just one of those records whose quality you just can’t deny. - Funplex – The B-52s
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The most fun album of the year so far. Like John Waters meets Shampoo or something, and B-52s-ey all the way
- At Mount Zoomer – Wolf Parade
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(thanks to Cinematically Correct for the recommendation) I liked this – reminded me of Arcade Fire’s first album “Funeral” and as such, I really hope they have the success they need to make the sound they clearly want to be making. It’s certainly more rhythmically interesting than the bulk of what I’ve heard this year, s’just the production quality didn’t seem to be quite there for me. - Backwoods Barbie – Dolly Parton

Her voice is just beautiful – I still haven’t really got onto the major binge of her back catalogue that I’ve been planning ever since I saw The Best Little Whorehouse…, but it’ll be happening soon I’m sure. The title track is cheesily beautiful, “Better Get to Livin’” is awesome, but it’s the cover of “Drive Me Crazy” here that leapt out of the blue and made my day, I’m crazy for it lol. - 22 Dreams – Paul Weller

Not really my cup of tea but I can’t deny it’s an incredible production. I love the allusions to childhood imagery, of course. Definitely will listen to it again. - The Age of the Understatement – The Last Shadow Puppets

Someone mentioned Scott Walker in a Newsnight Review of this and I was almost immediately sold, lol, and I wasn’t disappointed. If there’s a reason this doesn’t remain in my top ten till the end of the year, then it’s only that I’m jealous I didn’t come up with it first. Huge. - The Seventh Tree – Goldfrapp

I’m having trouble believing that this album came from the same people who gave the world Supernature, lol. This is just so cute, exactly the kind of candyland pop I adore the most. The lead sounds like Cathy Dennis in places, and the songs like something the Poole sisters of Alisha’s Attic would conjure. I can’t wait to listen to it more. - Rockferry – Duffy

Was very surprised how right the hype was on this one – even the comparison on Newsnight Review to Dusty Springfield which really put me off. It is simply a perfect album. - We Sing, We Dance, We Steal Things – Jason Mraz

All I can remember from Mraz’s last album (I haven’t heard the first) is “Wordplay”, but I’m quite sure I liked it all. This definitely struck me as even more catchy, though. His voice is gorgeous, almost girlish at times. I adore “Lucky”, it’s like my life right now
- I Stand – Idina Menzel

I’m not sure if I’ll listen to it as much as I’ve found myself listening to “Still I Can’t be Still” (and I hadn’t even heard of “Here”, an album which apparently came between that and this) ... but “Gorgeous” and “I Feel Everything” in particular are almost certain to be on my best of year playlists. - Smilers – Aimee Mann

It’s growing on me
As with “Forgotten Arm”, I really wasn’t so sure of this on a first listen but the story kind of eats into you and it makes more sense and sticks in the ears more with every listen.
- Identified – Vanessa Hudgens
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So well produced and supercatchy. Reminds me of the Rachel Stevens / Holly Valance / Dannii Minogue type Poole / Dennis composed albums we don’t seem to have had in a long while. Actually thinking now maybe this deserves “most fun album” over the B-52s. I’m not sure, they’re both electric
- Momofuku – Elvis Costello and the Imposters

Finally! I think I got so tired of being disappointed with Elvis Costello releases that I’ve probably deliberately missed the last handful – but this is the Elvis Costello that I love and this, too, will likely only grow on me as the year goes on. - My Paper Made Men – Amy Studt

I feared initially that this would be a lot like the first album – I’d shout from the hills how I loved it but in the long run the playcount has really only settled on three songs, “Ladder in Your Tights”, “Misfit” and “Just a Little Girl” (two of which happened to be from a Poole pen – edit ooh and “Under the Thumb”! of course, which is also a Karen Poole song lol … so not a bad album at all in fact …). On a first listen this is definitely more fun in its first half, but that’s not to say that on a second, third, and fourth listen since I didn’t let it run all the way through. “Nice Boys” is a song I object to on a personal level but if they don’t release it to conquer the charts while the sun is shining then they’re crazy (whoever “they” are lol). It’s Shampoo-tastic lol. - Bittersweet World – Ashlee Simpson

It’s Ashlee, you probably know what to expect. On a first listen none of these songs really stand out to me as awesome, not even in the sense that “I Am Me” or “L.O.V.E” or “Autobiography” have become fixtures on my most-listened-to tracks in iTunes. But I’ll listen to it over and over ‘cos I have a very angry teenage girl in me sometimes lol. - To Be Loved – Joan As Police Woman

I think I liked this more than her first album, but I’ve only listened to each of them once so I can’t really stand by my opinion. She was a lot of fun when I saw her live supporting Rufus Wainwright. Her studio work seems pretty stoic by comparison. This is almost certainly too low for now, hopefully I’ll get a chance to listen again before the year is out. - Liverpool 8 – Ringo Starr

Not as good as “Choose Love”, but it’s as competently done as you’d expect from an ex-Beatle working with Dave Stewart. - Pocketful of Sunshine – Natasha Bedingfield

I had to think about whether this was original enough to count as a new album ‘cos it’s kind of a mishmash of b-side-y songs and parts of Nb after that album failed to set the US aflame or something. I decided yes, there are enough original songs here – the Nb songs are always worth hearing again. And frankly, for “Freckles” alone it’s worth it. - Home Before Dark – Neil Diamond

I just saw a short concert on BBC interactive with some songs from this and already I’ve started to think again about my kneejerk reaction to the album, it’s possible it’ll really click with me one day and I think it’s “One More Bite of the Apple” and “Slow it Down” that hold the key. For now, I’ve gotta say, it does feel a little passionless and a bit too much like someone trying to use the perfect “12 Songs” too much as a template instead of trying something original again. - Viva La Vida – Coldplay

The already overplayed title single is of course irresistible – I wanna jump around just about every time I hear it. But like all their best standalone songs, the album just feels lost around it. It’s rarely anything but “nice”. It’s possible it’ll grow on me, and certainly worth it for Viva … but it’s far from great. - iCarly: Songs from and Inspired by the Hit TV Series – Various
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It’s a compilation, I usually don’t allow those – but it’s a good compilation, the dialogue snippets are hilarious and even the non-Miranda songs are surprisingly enjoyable (I could definitely get into The Naked Brothers). The Miranda songs turn out to be all covers, but they show her voice improving vastly since recording the theme song (which features here in an extended version). I really hope she gets to do a full solo album some time. - The Slip – Nine Inch Nails

Less scary-noisy than last year’s Year Zero and, weirdly enough, I liked it more than the much more ethereal and ambient Ghosts. One of my favourite songs of theirs, and the one that really introduced me to them in Natural Born Killers, is Burn, and this album pretty much stands up to it all over. - Flavors of Entanglement – Alanis Morissette

Mostly meh, but again, it’s the girl voice. Nothing stands out quite as much as Thank You or Ironic or whatever but, big BUT, I absolutely love, love, love “In Praise of the Vulnerable Man”. It’s so corny, but someone kinda had to write it, and that that someone turned out to be Alanis … it’s just perfect. - Bring Ya To the Brink – Cyndi Lauper

It’s dancey which as a rule I hate; but I love when the tunefulness bursts through, and those incidences are frequent enough for me to listen again given the opportunity. Can’t think of a lot more to say than that. - Third – Portishead

It takes some adjusting to, but I’m surprised to say that I found some of this pretty lovely. Again, I’ve not a lot more to say. It’s mid-June and I’m just tying up the loose ends, I wouldn’t normally listen to this type of thing. - Sunday at Devil Dirt – Isobel Campbell & Mark Lanegan

Since getting into Belle and Sebastian a couple of years ago I’ve been really wanting to listen to Isobel Campbell’s solo stuff – I really hope this is just a bad intro to it. While it’s a really nice album, her voice is pretty much swamped by the Leonard Cohen-ish tones of Lanegan, and I couldn’t help feeling disappointed. - Little Dreamer – Beth Rowley

It’s kind of gone out of my head already, but a pleasant enough listen while it lasted. Very well produced and like I’ve said already, girl voices are the best
- Phoenix – Asia
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About what I expected from this band even though I haven’t yet got around to taking in their back catalogue. They sound exactly like the era they were born in and though I can’t be certain, I’m pretty sure that fans will be pleased. - 11 – Bryan Adams

Meh. Standard Bryan Adams. I love the guy ‘cos he did the Spirit songs but most of his other stuff sounds the same to me. It’s still very catchy though. - Accelerate – R.E.M.

LOUD! This almost gave me a headache lol. It has its moments, but really, it’s just too loud for me. I can’t say the title doesn’t warn, I guess. - 19 – Adele

Standard well-produced female vocals. I’m just a sucker for girls’ voices so this is probably too high already. - It Is Time for a Love Revolution – Lenny Kravitz

Everytime I listen to him I have to remind myself he produced Vanessa Paradis’ wonderful first and only fully English language album, always a good way in. And this album definitely has its moments, particularly “A Long and Sad Goodbye” - Discipline – Janet Jackson

I could do without the computer voice stuff, seems like trying way too hard to be cool to me. I seem to recall this had some nice songs on it somewhere, but it’s a while since I listened and it didn’t exactly rock my world or anything. - Simple Plan – Simple Plan

I was sure I’d listened to Simple Plan before and liked them but my itunes library is telling me it’s only been their movie soundtrack presences that have reached my ears till now. It’s a little unintentionally hilarious in its whininess as I think is to be expected from this kind of band … but I don’t know, I kinda liked it. - Ghosts – Nine Inch Nails

Would make a great movie soundtrack … not really iPod material … but it’s a lot healthier than the deafening “Year Zero”. - Sleep Through the Static – Jack Johnson

Meh. Nothing wrong with it … but I think I said in my review of the movie, there’s a time and a place for Jack Johnson and for me I think Curious George was it. - Watershed – KD Lang

Hmm. This really didn’t make much of an impression on me at all. Positioned here with the benefit of the doubt lol, I’ll maybe listen to it again some time. - Dig Lazarus Dig! – Nick Cave and the Bad Seeds

It’s at the bottom for now but don’t worry, it won’t stay that way. This is as up and down as anything Nick Cave has done – the one thing I don’t understand is why it hasn’t been released under the Grinderman name, since to me it sounded much more like “them” than “regular” Nick Cave lol if that even makes sense. - Consolers of the Lonely Hearted – Raconteurs

Fun, but nothing special. I’d happily let a track from it play if it cropped up in iTunes Party Shuffle soe time. - Jukebox – Cat Power

I forgot to add this to the list when I listened to it ages ago. I can’t remember a lot about it except, nice voice but completey unremarkable. Meh. - Last Night – Moby

Standard Moby. Which for me isn’t too exciting. It seems to me this guy dropped off the map for a while, and to come back with just exactly the same thing he was doing, seems like a decade ago now, that’s practically become a joke in the meantime, is incredibly lazy. I just can’t listen to the same loop unadorned for more than a handful of repetitions, no matter how amazing a sound it is, I’m sorry. - E=MC2 – Mariah Carey

I have no problem with Mariah Carey, matter of fact I’d really love to love her. But there’s really nothing new on this album, and the title too temptingly invites ridicule, especially when she starts talking about “That Casablanca movie” in ways that indicate she (or her writers) has clearly never seen it. - Hard Candy – Madonna

Appalling. (Really, that’s all I have to say.) - Anywhere I Lay My Head – Scarlett Johansson

Seriously, I did not think I’d hear anything this year worse than Madonna … seriously. This starts out like, “crap, did I download a fake again?” – but it progresses to being simply hilarious midway. But by the end, I just felt sorry for her. It’s so bad it made me feel good about my own album, lol. That Bowie was involved is just insult to injury lol.
